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00:00:14,981 --> 00:00:17,116
CAN YOU, UH, HEAR ME IN THE BACK?
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♪ THEY'RE WRITING SONGS
OF LOVE ♪
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00:00:25,325 --> 00:00:27,794
♪ BUT NOT FOR ME ♪
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♪ A LUCKY STAR'S ABOVE ♪
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♪ BUT NOT FOR ME ♪
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♪ WITH LOVE
TO LEAD THE WAY ♪
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♪ I FOUND MORE CLOUDS
OF GRAY ♪
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♪ THAN ANY RUSSIAN PLAY ♪
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♪ COULD GUARANTEE ♪
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00:00:45,945 --> 00:00:49,148
♪ LA-LA-LA-LA, LA-LA ♪
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♪ LA-LA-LA-LA ♪
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♪ WITH-- ALTHOUGH ♪
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♪ I CAN'T DISMISS ♪
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♪ THE MEMORIES
OF HER KISS ♪
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♪ I GUESS SHE'S NOT ♪
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♪ FOR ME ♪
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WRITTEN BY A YOUNG,
AMBITIOUS, DESPERATE NEW YORKER...
18
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NAMED GERSHWIN,
19
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WHO LIVED THREE BLOCKS OFF
ON THE LEFT.
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THANK YOU NOW.
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00:01:22,782 --> 00:01:24,917
WELCOME
TO NEW YORK CITY.
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♪ THEY'RE WRITING SONGS OF LOVE ♪
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♪ BUT NOT FOR ME ♪
24
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♪ A LUCKY STAR'S ABOVE ♪
25
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♪ BUT NOT FOR ME ♪
26
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♪ WITH LOVE TO LEAD THE WAY ♪
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♪ I'VE FOUND MORE CLOUDS
OF GRAY ♪
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♪ THAN ANY RUSSIAN PLAY ♪
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♪ COULD GUARANTEE ♪
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♪ I WAS A FOOL TO FALL ♪
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♪ AND GET THAT WAY ♪
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♪ HEIGH-HO, ALAS ♪
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♪ AND ALSO LACKADAY ♪
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♪ ALTHOUGH I CAN'T DISMISS ♪
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00:02:03,356 --> 00:02:06,559
♪ THE MEMORY OF HER KISS ♪
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♪ I GUESS SHE'S NOT
FOR ME ♪
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YOU KNOW, I'M LEARNING SLOWLY
IN MY CRUISING CAREER...
38
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THAT YOU CANNOT
EXPECT PEOPLE...
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TO TRANSFORM
IN AN AFTERNOON.
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THEY'RE NOT GOING TO
REWRITE THEIR SOULS...
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AND REDO EVERY DAY
THAT THEY'VE LIVED THUS FAR...
42
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BEFORE THEY COME ON
TO THE DOUBLE-DECKER BUS,
43
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AND YET I EXPECT THAT.
44
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I EXPECT THE TOTAL
TRANSFORMATION OF THEIR LIFE,
45
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THE ENTIRE REWRITE
OF THEIR SOULS.
46
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I AM FIGHTING MINUTE TO MINUTE,
47
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EVERY MOMENT
THAT THEY'RE ON THE BUS,
48
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FOR EVERY DAY THEY'VE LIVED
THUS FAR TO SEEM AS...
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A ABSTRACT WRECKAGE...
50
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THAT MIGHT HAVE HAPPENED
BUT IS PROBABLY A DELUSION,
51
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AND THAT THIS IS
THE FIRST REAL DAY OF THEIR LIVES.
52
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NOT TO GENERALIZE.
53
00:02:56,209 --> 00:02:58,878
AGAIN, WITH EVERY BUSLOAD,
THERE'S INTERNATIONALITY...
54
00:02:59,412 --> 00:03:01,582
AND THEREFORE DIFFERENT
GRADATIONS...
55
00:03:01,583 --> 00:03:03,683
OF CRUISING MANIFESTATION.
56
00:03:03,683 --> 00:03:06,886
BUT I, UH--
57
00:03:07,954 --> 00:03:10,089
I FIND MYSELF
CONNECTING...
58
00:03:10,089 --> 00:03:12,758
WITH SOME OF THEM
MORE THAN OTHERS.
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00:03:13,293 --> 00:03:14,894
- IT IS RAINING?
- KIND OF.
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- HELLO.
- HELLO.
61
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WHAT'S UP, BENITEZ?
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- WE'RE LEAVING.
- WE'RE LEAVING?
63
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- OH, IT'S RAINING.
- NO!
64
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IT'S NOT RAINING.
65
00:03:37,850 --> 00:03:41,053
GREENWICH VILLAGE,
ONE OF THOSE RARE DISTRICTS...
66
00:03:41,054 --> 00:03:43,723
THAT OCCURS ONCE IN A WHILE
IN HUMAN HISTORY.
67
00:03:43,723 --> 00:03:46,926
FEAR, A BASIC THEME
OF ALL OF OUR LIVES.
68
00:03:46,926 --> 00:03:50,129
CONSTANTLY AFRAID ALONG THE
STREETS OF GREENWICH VILLAGE,
69
00:03:50,663 --> 00:03:52,264
UNDER THREAT
OF ASSASSINATION,
70
00:03:52,265 --> 00:03:56,002
AND THE ASSASSINS
ARE OUR DREAMS TRIUMPHANT,
71
00:03:56,002 --> 00:04:00,272
THE BY-PRODUCT OF SUCH A PURSUIT--
CREATIVITY AND RADICALIZATION--
72
00:04:00,273 --> 00:04:04,010
WHICH ARE THE FURTHER THEMES
OF GREENWICH VILLAGE LINEAGE.
73
00:04:05,078 --> 00:04:07,747
RIGHT NOW YOU ARE
SIX AND A HALF BLOCKS...
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00:04:07,747 --> 00:04:09,882
FROM WHERE THOMAS PAINE DIES.
75
00:04:09,882 --> 00:04:13,619
PAINE, THE INFIDEL
REVOLUTIONARY,
76
00:04:13,620 --> 00:04:16,823
AUTHOR OF THE COMMON SENSE
AND THE CRISIS,
77
00:04:16,823 --> 00:04:19,260
TWO OF THE MOST INFLUENTIAL
POLITICAL PAMPHLETS...
78
00:04:19,261 --> 00:04:20,461
OF AMERICAN HISTORY,
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00:04:20,560 --> 00:04:24,297
BOTH WRITTEN DURING
THE AMERICAN REVOLUTIONARY WAR.
80
00:04:24,297 --> 00:04:27,201
THOMAS PAINE RETURNS
TO GROVE STREET...
81
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TO DIE IN A SOMEWHAT DISGRACE...
82
00:04:29,102 --> 00:04:32,839
SOON AFTER BEING IMPRISONED
BY ROBESPIERRE IN PARIS...
83
00:04:32,839 --> 00:04:34,974
DURING THE FRENCH REVOLUTION.
84
00:04:34,974 --> 00:04:39,778
YOU ARE THREE AND A HALF BLOCKS
FROM WHERE MARK TWAIN MOVES--
85
00:04:39,779 --> 00:04:44,049
RIGHT AFTER HIS WIFE PASSES
AWAY-- ONTO WEST TENTH STREET.
86
00:04:44,050 --> 00:04:46,719
TWAIN MOVING AT THAT TIME
A FEW DOORS DOWN...
87
00:04:46,719 --> 00:04:50,456
FROM O. HENRY.
88
00:04:50,456 --> 00:04:53,060
FOUR AND A HALF BLOCKS
FROM WHERE EDGAR ALLAN POE...
89
00:04:53,061 --> 00:04:55,261
HAS A SHORT-TERM RESIDENCE...
90
00:04:55,261 --> 00:04:57,930
DEEP IN THE HEART
OF HIS OPIUM ADDICTION.
91
00:04:57,930 --> 00:05:01,667
ALTHOUGH HE HAS MANY RESIDENCES
THROUGHOUT THAT DELUSIONAL TIME,
92
00:05:01,668 --> 00:05:07,006
HE WRITES "THE RAVEN"
AT 61 CARMINE STREET.
93
00:05:07,006 --> 00:05:09,076
FIVE BLOCKS FROM WHERE...
94
00:05:09,077 --> 00:05:11,277
THE AMERICAN NOVELIST
HENRY JAMES IS BORN...
95
00:05:11,277 --> 00:05:13,314
AND FROM WHERE EDITH WHARTON...
96
00:05:13,315 --> 00:05:14,915
SPENDS MUCH OF HER
ARISTOCRATIC CHILDHOOD...
97
00:05:15,014 --> 00:05:17,149
ON WASHINGTON SQUARE PARK
ITSELF.
98
00:05:17,150 --> 00:05:19,285
AND THIS...
99
00:05:19,285 --> 00:05:21,420
IS SEVENTH AVENUE SOUTH
IN FRONT OF YOU,
100
00:05:21,421 --> 00:05:25,691
THE MODERN SEMI-EXPRESSWAY
OF GREENWICH VILLAGE.
101
00:05:25,692 --> 00:05:29,429
SIX BLOCKS FROM THE PROVINCETOWN
PLAYHOUSE WHERE EUGENE O'NEILL...
102
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BEGINS HIS EARLY
PLAYWRITING CAREER.
103
00:05:31,564 --> 00:05:33,534
SIX BLOCKS FROM WHERE
HENRY MILLER DECIDES...
104
00:05:33,535 --> 00:05:35,835
HE HATES NEW YORK CITY FOREVER...
105
00:05:35,835 --> 00:05:37,436
AND MOVES TO PARIS.
106
00:05:37,570 --> 00:05:39,339
TWO BLOCKS FROM
WHERE WILLA CATHER LIVES.
107
00:05:39,340 --> 00:05:40,640
THREE BLOCKS FROM
WHERE E.E CUMMINGS LIVES.
108
00:05:40,640 --> 00:05:42,775
THREE BLOCKS FROM WHERE
SHERWOOD ANDERSON LIVES.
109
00:05:42,775 --> 00:05:44,012
FOUR BLOCKS FROM
WHERE H.L. MENCKEN LIVES,
110
00:05:44,013 --> 00:05:46,413
FOUR BLOCKS FROM WHERE
THEODORE DREISER LIVES.
111
00:05:46,512 --> 00:05:49,181
FIVE BLOCKS FROM WHERE
NATHANAEL WEST LIVES.
112
00:05:49,182 --> 00:05:51,486
FIVE BLOCKS FROM
WHERE D.H. LAWRENCE...
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LIVES LASCIVIOUSLY.
114
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FOUR BLOCKS FROM
WHERE JACK REED LIVES,
115
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AUTHOR OF TEN DAYS
THAT SHOOK THE WORLD,
116
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THE FIRST AND ONLY AMERICAN TO
BE BURIED IN THE KREMLIN WALL.
117
00:06:01,461 --> 00:06:04,130
BEFORE THAT HAPPENS
TO THE RADICAL JACK REED,
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00:06:04,130 --> 00:06:07,333
HE LIVES YOUTHFULLY
AT 42 WASHINGTON SQUARE.
119
00:06:07,333 --> 00:06:09,036
HIS NEIGHBOR ACROSS
THE HALL, MAX EASTMAN,
120
00:06:09,037 --> 00:06:10,437
EDITOR OF THE MASSES NEWSPAPER,
121
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PUBLISHED TWO BLOCKS AWAY
IN A BASEMENT,
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THE MAJOR COMMUNIST PUBLICATION
OF AMERICAN HISTORY.
123
00:06:15,875 --> 00:06:18,112
TWO BLOCKS FROM WHERE
ARTHUR MILLER, THE PLAYWRIGHT,
124
00:06:18,113 --> 00:06:19,513
CONTEMPLATES SUICIDE...
125
00:06:19,612 --> 00:06:21,747
AND FROM WHERE JIM MORRISON
DOES THE SAME.
126
00:06:22,281 --> 00:06:25,484
FIVE BLOCKS FROM WHERE
THE POET DYLAN THOMAS DIES.
127
00:06:26,018 --> 00:06:29,755
HIS FAMOUS LAST WORDS:
"I JUST HAD MY 16th MARTINI".
128
00:06:30,022 --> 00:06:32,092
HE LOSES CONSCIOUSNESS...
129
00:06:32,093 --> 00:06:33,493
IN THE WHITE HORSE
TAVERN ON HUDSON STREET...
130
00:06:34,026 --> 00:06:35,627
AND NEVER REGAINS IT.
131
00:06:36,162 --> 00:06:38,166
FIVE BLOCKS FROM WHERE
DOROTHY PARKER WRESTLES...
132
00:06:38,167 --> 00:06:40,967
WITH ALCOHOLISM AND
THE DEFEATS OF A LIFETIME...
133
00:06:40,967 --> 00:06:43,102
AND FAILS.
134
00:06:49,509 --> 00:06:52,178
NEW YORK CITY
IS A LIVING ORGANISM.
135
00:06:52,178 --> 00:06:56,448
IT EVOLVES, IT DEVOLVES.
IT FLUCTUATES AS A LIVING ORGANISM.
136
00:06:56,449 --> 00:06:59,118
SO MY RELATIONSHIP
WITH NEW YORK CITY...
137
00:06:59,118 --> 00:07:02,956
IS AS VITRIOLIC AS
THE RELATIONSHIP WITH MYSELF...
138
00:07:02,957 --> 00:07:04,457
AND WITH ANY OTHER HUMAN BEING,
139
00:07:04,457 --> 00:07:06,592
WHICH MEANS THAT IT CHANGES
EVERY MILLISECOND,
140
00:07:06,592 --> 00:07:08,727
THAT IT'S IN
CONSTANT FLUCTUATION.
141
00:07:08,728 --> 00:07:11,931
THIS WINTER I REALLY FELT
LIKE WE WERE GETTING A DIVORCE.
142
00:07:11,931 --> 00:07:14,600
AND I WAS CERTAINLY
THE LOSER OF THAT DIVORCE.
143
00:07:14,600 --> 00:07:17,803
THERE WAS ANGER.
I WAS OVERWHELMED.
144
00:07:17,804 --> 00:07:21,007
I WAS REEMERGED
INTO MY OWN NAIVETE.
145
00:07:21,007 --> 00:07:23,676
I COULDN'T BELIEVE HOW ANGRY
THE CITY WAS WITH ME.
146
00:07:23,676 --> 00:07:27,946
IT SEEMED LIKE A VINDICTIVE WOMAN,
TO BE LIKE NO REASON WHATSOEVER,
147
00:07:27,947 --> 00:07:30,616
JUST BY THE PURE RAGE
OF ITS OWN EXISTENCE.
148
00:07:30,616 --> 00:07:32,586
BECAUSE THE CONCRETE SETTLED.
149
00:07:32,587 --> 00:07:34,887
BECAUSE THE TERRA-COTTA
HAD BEEN METICULOUSLY CARVED.
150
00:07:35,421 --> 00:07:37,556
BECAUSE SOME OF THE BUILDINGS
ARE HIGHER THAN OTHERS.
151
00:07:37,557 --> 00:07:38,994
THE ANGER, THE INFERIORITY,
152
00:07:38,995 --> 00:07:41,195
THAT SOME OF
THE SHORTER BUILDINGS FEEL, I FELT.
153
00:07:41,294 --> 00:07:44,497
I SUDDENLY WAS NOT WELCOME
ON THIS ISLAND ANYMORE.
154
00:07:44,497 --> 00:07:46,767
AND THE CITY AND I HAVE HAD...
155
00:07:46,768 --> 00:07:48,768
A REEMERGENCE OF SOME KIND
IN THE SUMMER,
156
00:07:48,768 --> 00:07:51,971
MAYBE BECAUSE I WAS ABLE
TO REFUEL MY CRUISE A LITTLE BIT...
157
00:07:51,971 --> 00:07:53,574
BY WORKING LABORIOUSLY...
158
00:07:53,575 --> 00:07:55,075
AND CRAWLING
MY WAY BACK ONTO THE ISLAND.
159
00:07:55,174 --> 00:07:57,843
BECAUSE PERHAPS I PAID
PROPER RESPECT TO IT.
160
00:07:58,377 --> 00:08:01,580
I DON'T KNOW WHY THE CITY WAS SO
ANGRY WITH ME DURING THIS WINTER.
161
00:08:01,581 --> 00:08:05,318
I'M JUST GLAD THAT IT'S NOT QUITE
AS ANGRY WITH ME RIGHT NOW.
162
00:08:05,852 --> 00:08:08,521
I DON'T WANT TO SPEAK
TOO SOON, FOR GOD'S SAKES.
163
00:08:08,521 --> 00:08:11,190
LIKE I SAID, THE RELATIONSHIP
SEEMS TO CHANGE,
164
00:08:11,190 --> 00:08:13,859
AS ANY HUMAN
RELATIONSHIP WOULD...
165
00:08:13,860 --> 00:08:15,461
AND WITH ANY LIVING THING.
166
00:08:15,461 --> 00:08:17,865
SOMETIMES I THINK THAT IF THIS
IS A LIVING ORGANISM,
167
00:08:17,866 --> 00:08:20,266
IT'S MORE ON THE LINES OF A CYCLOPS.
168
00:08:20,467 --> 00:08:23,367
SOMETIMES I THINK THAT IF IT
IS A LIVING ORGANISM,
169
00:08:23,469 --> 00:08:26,039
PERHAPS IT'S MORE ON THE
LEVEL OF A SCINTILLATING,
170
00:08:26,040 --> 00:08:27,740
STREAMLINED MERMAID...
171
00:08:28,274 --> 00:08:30,409
WHO SINGS TO ME AT NIGHT.
172
00:08:34,680 --> 00:08:37,883
I GUESS I AM RIGHT NOW.
173
00:08:43,756 --> 00:08:45,891
JOEL.
174
00:08:45,892 --> 00:08:48,027
I WAS JUST TRYING
TO CHECK IN.
175
00:08:48,027 --> 00:08:50,696
I DID THE 8:45 PICKUP.
176
00:08:51,230 --> 00:08:53,365
HELLO. GRAY LINE.
177
00:08:53,366 --> 00:08:55,501
YOU CAN STAY OUT THERE
ONE MINUTE.
178
00:08:55,501 --> 00:08:58,170
YEAH, I'LL BE
RIGHT WITH YOU.
179
00:08:58,170 --> 00:09:01,907
LET ME SEE IF MISS GALL
IS HERE. HOLD ON.
180
00:09:01,908 --> 00:09:05,111
THE LOWER LOOP IN THE
DOWNTOWN DIRECTION...
181
00:09:05,645 --> 00:09:08,314
NOW BOARDING THE BUS
OUTSIDE TO THE RIGHT.
182
00:09:12,585 --> 00:09:15,788
WE NEED A TOUR GUIDE
FOR A SECOND SECTION DOWNTOWN.
183
00:09:17,390 --> 00:09:20,593
HANG ON.
WAIT FOR THE SECOND SECTION.
184
00:09:23,796 --> 00:09:26,465
I THINK OF EVERY
DOUBLE-DECKER LOOP...
185
00:09:26,465 --> 00:09:30,202
AS ANOTHER LOOP
TOWARDS MY DEATH.
186
00:09:30,202 --> 00:09:33,939
THAT IS WHY I'VE ALWAYS THOUGHT
OF THE DOUBLE-DECKER LOOP--
187
00:09:33,940 --> 00:09:38,744
EACH LOOP AS A CONTINUOUS
AND INDIVIDUALIZED, UM,
188
00:09:40,346 --> 00:09:42,481
SEARCH FOR PERFECTION.
189
00:09:48,888 --> 00:09:52,091
H.G. WELLS ONCE WROTE...
190
00:09:52,091 --> 00:09:55,828
THAT TO TELL THE HISTORY
OF NEW YORK CITY...
191
00:09:55,828 --> 00:09:59,031
IS TO TELL THE STORY
OF THE WORLD.
192
00:09:59,565 --> 00:10:02,234
FASTEN YOUR SEAT BELTS.
193
00:10:03,836 --> 00:10:08,106
TWO HUNDRED THOUSAND
PEOPLE WORK...
194
00:10:08,107 --> 00:10:12,377
INSIDE THE WORLD TRADE
CENTER BUILDINGS...
195
00:10:12,378 --> 00:10:15,047
DAILY.
196
00:10:15,581 --> 00:10:20,385
THE WORLD TRADE CENTER
BUILDINGS HAVE THEIR OWN ZIP CODE.
197
00:10:24,123 --> 00:10:26,792
THE WORLD TRADE CENTER
TOWERS THEMSELVES,
198
00:10:26,792 --> 00:10:31,596
BUILT TO SWAY IN HEAVY WINDS
A FOOT AND A HALF IN ANY DIRECTION.
199
00:10:31,597 --> 00:10:33,732
SOMETHING
TO CONSIDER.
200
00:10:35,868 --> 00:10:38,537
SO WHAT'S UP, TIM?
HOW'S THE GRAY LINE?
201
00:10:38,537 --> 00:10:40,672
- GRAY LINE IS LIKE--
- APPLE'S BETTER, RIGHT?
202
00:10:41,207 --> 00:10:44,410
YEAH, DAMN RIGHT.
APPLE WAS LIKE A LIVING CARNIVAL.
203
00:10:44,410 --> 00:10:47,079
WE WERE COSSACKS,
AND WE TOOK WHAT WE WANTED.
204
00:10:47,079 --> 00:10:50,282
WE THREW PEOPLE OVERBOARD,
OFF THE BUS, IF WE DIDN'T LIKE THEM.
205
00:10:50,282 --> 00:10:52,417
IT WAS OUR TERRITORY.
206
00:10:52,418 --> 00:10:55,621
THE CITY BELONGED TO US
AT APPLE. -APPLE IS BETTER.
207
00:10:56,155 --> 00:10:57,756
- ABSOLUTELY.
- NUMBER ONE.
208
00:10:57,757 --> 00:11:00,426
I HAD MORE OF AN ERECTION
WHEN I WORKED AT APPLE.
209
00:11:00,960 --> 00:11:03,095
I JUST FELT LIKE
SO MUCH MORE OF A MAN.
210
00:11:03,095 --> 00:11:05,230
YOU KNOW APPLE
IS BETTER, RIGHT? -YEAH!
211
00:11:05,765 --> 00:11:07,900
I WANTED TO HEAR YOU
SAY YES.
212
00:11:07,900 --> 00:11:09,569
THAT'S WHAT I WANTED TO HEAR.
I WANT TO HEAR YOU SAY YES.
213
00:11:09,570 --> 00:11:10,470
FOR GOD'S SAKES.
214
00:11:10,569 --> 00:11:12,704
- NUMBER ONE.
- I'M GONNA PROBABLY GET FIRED.
215
00:11:12,705 --> 00:11:14,608
I'LL PROBABLY BE HUNG
FROM A FLAGPOLE SOMEWHERE,
216
00:11:14,609 --> 00:11:15,809
BUT APPLE IS BETTER.
217
00:11:15,908 --> 00:11:18,043
APPLE IS BETTER!
218
00:11:19,645 --> 00:11:23,382
I THINK THAT THE GREAT
TOUR GUIDES OF APPLE TOURS,
219
00:11:23,382 --> 00:11:25,283
IN THAT SENSE,
WOULD HAVE BEEN SPARTACUS.
220
00:11:25,518 --> 00:11:28,187
SPARTACUS WAS ONE OF THE GREAT
TOUR GUIDES OF THE ANCIENT WORLD.
221
00:11:28,187 --> 00:11:31,390
HE WOULD HAVE FIT IN
AT APPLE TOURS.
222
00:11:31,390 --> 00:11:32,593
BRUTUS AND HIS CONSPIRATORS...
223
00:11:32,594 --> 00:11:34,494
RIGHT BEFORE THE
ASSASSINATION OF CAESAR,
224
00:11:34,593 --> 00:11:36,728
THEY WERE APPLE TOUR GUIDES.
225
00:11:36,729 --> 00:11:39,932
BUT LIKE WILLY WONKA
IS A GRAY LINE TOUR GUIDE.
226
00:11:39,932 --> 00:11:42,736
ALSO ONE OF MY GREAT
INSPIRATIONS ON THE TOUR ROUTE,
227
00:11:42,737 --> 00:11:44,737
BUT THAT'S THE DIFFERENCE THERE.
228
00:11:46,872 --> 00:11:49,007
ATTILA THE HUN...
229
00:11:49,008 --> 00:11:52,211
WOULD HAVE BEEN A GOOD
APPLE DISPATCHER.
230
00:11:55,948 --> 00:11:59,151
WHEREAS VIRGIL
IN THE INFERNO,
231
00:11:59,151 --> 00:12:02,354
I THINK WOULD HAVE WORKED
FOR GRAY LINE.
232
00:12:02,655 --> 00:12:05,557
HOW MANY YEAR NOW? -LIKE FOUR
YEARS I'VE BEEN DOING THE TOUR.
233
00:12:05,558 --> 00:12:07,693
NO, FIVE. DON'T SAY FOUR,
PLEASE. -FIVE YEARS.
234
00:12:07,693 --> 00:12:10,896
YEAH! BY THE TIME
YOU WORKED AT GRAY LINE,
235
00:12:10,896 --> 00:12:13,565
YOU GOT THAT TROLLEY BUS
AND YOU GO TO CENTRAL PARK.
236
00:12:13,566 --> 00:12:15,701
- I REMEMBER THE DAMN TROLLEY.
- I WORKED ON THE DOUBLE-DECKER.
237
00:12:15,701 --> 00:12:19,438
I REMEMBER THAT. -LATER ON
YOU COME WORK AT APPLE.
238
00:12:19,438 --> 00:12:22,107
THAT'S RIGHT. IT'S BEEN
FIVE YEARS OF THIS, GOING IN CIRCLES.
239
00:12:22,108 --> 00:12:25,845
YOU'VE BEEN STANDING
ON THIS SIDEWALK FOR FIVE YEARS.
240
00:12:25,845 --> 00:12:27,980
THAT'S INCREDIBLE.
241
00:12:37,590 --> 00:12:41,860
OH, LOOK, STRAIGHT UP.
THAT'S A GREAT VIEW.
242
00:12:41,861 --> 00:12:45,598
THE WHITE TERRA-COTTA
STRAIGHT AHEAD.
243
00:12:45,598 --> 00:12:48,535
THAT'S THE ONE BUILDING THAT LOUIS
SULLIVAN DESIGNED...
244
00:12:48,536 --> 00:12:49,736
FOR NEW YORK CITY.
245
00:12:49,869 --> 00:12:52,538
HMM.
LOOK AT THE METICULOUSNESS.
246
00:12:53,072 --> 00:12:55,741
THAT STRONG VERTICAL LAUNCH
IN THE FACADE...
247
00:12:55,741 --> 00:12:59,478
IS TYPICAL
OF THE SULLIVAN MILIEU.
248
00:12:59,478 --> 00:13:02,147
YOU KNOW, TERRA-COTTA...
249
00:13:02,148 --> 00:13:04,385
BECOMES ONE OF THE
MAJOR MATERIALS...
250
00:13:04,386 --> 00:13:05,786
OF NEW YORK CITY ARCHITECTURE.
251
00:13:05,885 --> 00:13:08,420
IT'S LIKE
A SAND-BAKED BRICK.
252
00:13:08,554 --> 00:13:10,689
IT'S NOT QUITE GRANITE,
AND IT'S NOT QUITE BRICK.
253
00:13:11,223 --> 00:13:12,824
IT WALKS
THE MAINSTREAM MIDDLE.
254
00:13:12,825 --> 00:13:14,960
IT WAS EXCELLENT
FOR NEW YORK ARCHITECTURE...
255
00:13:14,960 --> 00:13:17,629
BECAUSE IT COULD HANG OFF
THE SKELETONS OF THE BUILDINGS.
256
00:13:17,630 --> 00:13:19,765
IT'S MUCH LIGHTER THAN STONE.
257
00:13:19,765 --> 00:13:22,002
THE DIFFERENCE, THOUGH,
BETWEEN STONE AND TERRA-COTTA...
258
00:13:22,003 --> 00:13:23,403
THAT STRIKES ME THE MOST...
259
00:13:23,502 --> 00:13:27,772
IS THAT TERRA-COTTA REFLECTS THE
SUNLIGHT, AND STONE ABSORBS IT.
260
00:13:27,773 --> 00:13:30,442
YOU CAN SEE THE BOUNCY LIGHT
ALONG THIS BUILDING.
261
00:13:33,112 --> 00:13:36,315
WHEN I SEE TERRA-COTTA LIKE
THIS, IT JUST MAKES ME FEEL...
262
00:13:36,315 --> 00:13:38,553
LIKE I'M SENSELESSLY RUNNING...
263
00:13:38,554 --> 00:13:41,654
THROUGH A MEADOW OR
HIGH GRASSLAND AREA NUDE,
264
00:13:41,654 --> 00:13:44,857
CHASING A WOMAN I'VE NEVER MET
BEFORE WHO'S ENTIRELY NUDE.
265
00:13:44,857 --> 00:13:47,526
IT'S JUST THE MOST RAW
AND PRIMORDIAL CHASE.
266
00:13:47,526 --> 00:13:51,263
TWO NUDE HUMAN BEINGS RUNNING
THROUGH GRASSLAND MARSH AREA.
267
00:13:51,263 --> 00:13:53,033
AS YOU MOVE UP THE BUILDING,
268
00:13:53,034 --> 00:13:55,534
CAN'T YOU FEEL THE
UNDULATIONS OF HER CURVATURE?
269
00:13:55,534 --> 00:13:57,135
THE--
270
00:13:57,136 --> 00:14:00,339
OHH! YES!
271
00:14:00,339 --> 00:14:02,474
YES!
272
00:14:02,474 --> 00:14:04,011
TH-THAT SLIGHT GROAN...
273
00:14:04,012 --> 00:14:06,212
THAT SOME PEOPLE HAVE
IN THE ACT OF INTERCOURSE.
274
00:14:06,212 --> 00:14:08,347
THE, LIKE, "UHH!"
275
00:14:08,347 --> 00:14:11,016
LIKE THE SOMEWHAT DYING GRUNT
OF A BEAUTIFUL WOMAN GRUNTING...
276
00:14:11,016 --> 00:14:13,685
IN THE STORMS
OF HER OWN MALAISE.
277
00:14:13,686 --> 00:14:15,989
YOU CAN FEEL IT IN THE
METICULATIONS OF THE CORNICE LINES
278
00:14:15,990 --> 00:14:16,790
OF THE TERRA-COTTA.
279
00:14:16,889 --> 00:14:19,558
THAT'S WHY THE TERRA-COTTA
IS IMPORTANT TO ME.
280
00:14:19,558 --> 00:14:22,227
IT'S THE "UHH,"
THE "UHH" MOMENTS OF LIFE.
281
00:14:22,228 --> 00:14:25,965
UHH! UHH!
282
00:14:27,032 --> 00:14:29,701
YES! YES!
283
00:14:31,303 --> 00:14:33,438
OH, GOD, PLEASE!
284
00:14:33,439 --> 00:14:36,108
THE BEGGING PARTS OF LIFE
ON THE LEFT SIDE.
285
00:14:36,108 --> 00:14:39,845
YOU SEE THOSE LION-ESQUE
CHARACTERS WAY UP THERE?
286
00:14:39,845 --> 00:14:44,115
PLEASE DON'T STOP.
PLEASE DON'T STOP.
287
00:15:08,140 --> 00:15:11,343
HELLO. CAN YOU HEAR ME
IN THE BACK?
288
00:15:18,284 --> 00:15:22,021
TWENTY-SEVEN THOUSAND TREES
ARE PLANTED,
289
00:15:22,021 --> 00:15:25,758
TEN AND A HALF MILLION CARTLOADS
OF TOPSOIL IMPORTED...
290
00:15:25,758 --> 00:15:30,028
AND A HUNDRED AND FORTY MILES
OF DRAINAGE PIPES LAID,
291
00:15:30,029 --> 00:15:32,164
AND THESE ARE
THE BASIC INGREDIENTS...
292
00:15:32,698 --> 00:15:34,833
OF THE SUPPOSEDLY NATURAL
CREATION...
293
00:15:35,367 --> 00:15:37,502
CALLED CENTRAL PARK.
294
00:15:37,503 --> 00:15:41,240
THERE IS NOTHING NATURAL
ABOUT CENTRAL PARK.
295
00:15:41,240 --> 00:15:43,375
WELCOME.
296
00:15:43,375 --> 00:15:44,976
FREDERICK LAW OLMSTED,
297
00:15:45,511 --> 00:15:48,714
THE ESSENTIAL LANDSCAPE ARCHITECT
OF THIS ORIGINAL CENTRAL PARK,
298
00:15:48,714 --> 00:15:52,984
SEES A GROUP OF BOYS PLAYING A
PRIMORDIAL FORM OF BASEBALL...
299
00:15:52,985 --> 00:15:55,654
ON THE LOWER PLAY LAWNS
IN THE 1850s,
300
00:15:55,654 --> 00:15:59,391
AND AT THAT MOMENT OUTLAWS
BASEBALL FROM CENTRAL PARK.
301
00:15:59,391 --> 00:16:03,661
THE MEN WHO BUILD AND DESIGN THIS
PARK ARE TRANSCENDENTALISTS.
302
00:16:03,662 --> 00:16:07,932
TO THEM, CENTRAL PARK IS A
PLACE TO BECOME ONE WITH NATURE,
303
00:16:07,933 --> 00:16:10,602
TO FOCUS ON TREES,
TO SCINTILLATE WITH GRASS,
304
00:16:11,136 --> 00:16:13,805
TO STARE INTO
ONE ANOTHER'S EYES.
305
00:16:13,806 --> 00:16:17,543
NO SWEATING ALLOWED
IN THE ORIGINAL CENTRAL PARK.
306
00:16:17,543 --> 00:16:19,678
NO PERSPIRATION
OF ANY KIND.
307
00:16:19,678 --> 00:16:22,881
ANYONE YOU SEE CONGREGATING
FOR THE BASEBALL GAME ON THE LEFT,
308
00:16:22,881 --> 00:16:25,550
BICYCLING,
ROLLER-BLADING, JOGGING,
309
00:16:25,551 --> 00:16:29,288
THEY ARE NOT
HISTORICALLY ACCURATE.
310
00:16:29,288 --> 00:16:31,423
ANYONE YOU SEE LOUNGING
IN THE SUN,
311
00:16:31,423 --> 00:16:35,160
HAVING A PICNIC
OR KISSING,
312
00:16:35,160 --> 00:16:38,363
THEY ARE
HISTORICALLY ACCURATE.
313
00:16:38,364 --> 00:16:41,033
ACK! "MUCHO" GRACIAS.
314
00:16:41,033 --> 00:16:43,168
- MUCHAS GRACIAS.
- NICE TO MEET YOU.
315
00:16:43,702 --> 00:16:47,439
- MUCHAS GRACIAS.
- SAY HOLA TO BUENOS AIRES FOR ME.
316
00:16:47,439 --> 00:16:49,574
¿COMO?
317
00:16:49,575 --> 00:16:53,312
SAY HELLO TO BUENOS AIRES
FOR ME.
318
00:16:53,312 --> 00:16:55,447
- SAY HELLO?
- MM-HMM.
319
00:16:55,447 --> 00:16:58,116
HELLO, YEAH. WHEN YOU
GET TO BUENOS AIRES.
320
00:16:58,117 --> 00:17:00,252
- AH, YES.
- YES. SI.
321
00:17:00,252 --> 00:17:03,455
THANK YOU.
322
00:17:06,125 --> 00:17:08,260
- CIAO.
- BEAUTIFUL.
323
00:17:08,260 --> 00:17:10,929
BEAUTIFUL. WE'RE BEAUTIFUL.
THE PARK IS BEAUTIFUL.
324
00:17:10,929 --> 00:17:13,598
- YES. THANK YOU. GOOD LUCK.
- NICE TO MEET YOU. CIAO.
325
00:17:13,599 --> 00:17:15,734
- CIAO.
- ADIOS.
326
00:17:17,870 --> 00:17:20,005
STYLE.
327
00:17:22,674 --> 00:17:26,944
I TALKED TO YOU ABOUT BIDS.
WERE YOU INTERESTED IN TAKING ONE?
328
00:17:27,479 --> 00:17:29,614
OH, UM, I LOOKED AT
WHAT'S LEFT.
329
00:17:30,149 --> 00:17:33,352
THE ONES I WAS INTERESTED IN WERE
TAKEN. -JUST WANTED TO CHECK.
330
00:17:33,352 --> 00:17:36,422
THE ONLY ONE I WOULD'VE BEEN
INTERESTED IN THAT WASN'T TAKEN...
331
00:17:36,423 --> 00:17:37,623
WAS THAT 34.
332
00:17:37,623 --> 00:17:41,893
BUT THAT'S GOT SUCH AN EARLY
HOTEL PICKUP, AND I-- YOU KNOW.
333
00:17:41,894 --> 00:17:42,663
SO YOU'RE NOT INTERESTED.
334
00:17:42,664 --> 00:17:44,464
- I JUST WANTED TO MAKE SURE.
- PICK A BID...
335
00:17:44,563 --> 00:17:48,833
SO YOU'LL KNOW YOU'LL HAVE STEADY
WORK. -TAKE THE DAMN BID, LEVITCH!
336
00:17:48,834 --> 00:17:53,104
YEAH, BUT I WAS TALKING TO TANYA.
THERE'S NO WAY TO REWRITE THE BIDS?
337
00:17:53,105 --> 00:17:55,774
NO REWRITING. -LIKE--
THEY'RE, LIKE, WITH SOLIDITY.
338
00:17:56,842 --> 00:17:58,977
- YEAH, RIGHT.
- TAKE THE BID, TIM.
339
00:17:58,977 --> 00:18:00,080
THAT'S MY PROBLEM.
340
00:18:00,081 --> 00:18:02,181
YOU DON'T CARE WHEN
YOU'RE UP AT 7:30 IN THE MORNING.
341
00:18:02,181 --> 00:18:04,084
YOU DON'T KNOW ANYTHING
ANYWAY AT 7:00 IN THE MORNING.
342
00:18:04,085 --> 00:18:05,285
NEITHER DO I.
343
00:18:05,384 --> 00:18:10,188
I'M DOIN' IT. YOU GET 20 HOURS
A WEEK. DON'T WORRY ABOUT IT.
344
00:18:10,189 --> 00:18:12,858
YEAH, YOU GET 20 HOURS A
WEEK, AND THAT'S ONE THING.
345
00:18:12,858 --> 00:18:13,927
THAT'S ALL YOU WANT.
346
00:18:13,928 --> 00:18:15,428
IT'S BEIN' DECIDED NOW.
347
00:18:15,527 --> 00:18:18,196
THAT'S ALL YOU WANT
ANYWAY, TIM. -DON'T BE LATE.
348
00:18:18,197 --> 00:18:20,332
RIGHT. -IT MAY BE
TOO LATE IN A FEW MINUTES.
349
00:18:20,866 --> 00:18:22,467
- REALLY?
- REALLY.
350
00:18:22,468 --> 00:18:25,671
THIS IS LIKE MY LAST FEW
MINUTES TO REALLY DECIDE.
351
00:18:25,671 --> 00:18:27,806
I APPRECIATE IT.
352
00:18:27,806 --> 00:18:29,009
I'LL TAKE THESE NEXT FEW MINUTES...
353
00:18:29,010 --> 00:18:31,010
AND DEEPLY
CONTEMPLATE AND MAKE SURE.
354
00:18:47,025 --> 00:18:51,295
IF I HAVE AN ESSENTIAL GOAL
ON THE CRUISE RIGHT NOW,
355
00:18:51,296 --> 00:18:53,965
I THINK THAT
THE SIMPLEST GOAL...
356
00:18:53,966 --> 00:18:56,635
IS PERHAPS TO--
357
00:19:02,508 --> 00:19:05,711
TO BE ABLE TO EXHIBIT...
358
00:19:05,711 --> 00:19:09,448
THAT I AM THRILLED
TO BE ALIVE...
359
00:19:09,448 --> 00:19:12,117
AND TO BE STILL RESPECTED.
360
00:19:14,786 --> 00:19:17,989
THE MORE SOULFUL OF US--
361
00:19:17,990 --> 00:19:21,193
I SUPPOSE THE BUDDHIST OR
WHATEVER LABEL YOU WANT TO PUT...
362
00:19:21,193 --> 00:19:24,396
ON THOSE EXPERIENCING
FURTHER INDIVIDUALITY...
363
00:19:24,396 --> 00:19:27,599
MIGHT SAY, "LOOK, WHY SHOULD YOU
CARE ABOUT RESPECT FROM OTHERS?
364
00:19:27,599 --> 00:19:30,802
"JUST THE THRILL OF BEING ALIVE
IS YOUR OWN BUSINESS.
365
00:19:30,802 --> 00:19:33,471
YOU CAN DO THAT ALONE
IN YOUR LIVING ROOM".
366
00:19:33,472 --> 00:19:36,675
BUT THAT'S NOT WHAT
THE CRUISE IS FOR ME.
367
00:19:36,675 --> 00:19:39,878
THE CRUISE IS ABOUT
THE SEARCHINGS...
368
00:19:39,878 --> 00:19:42,547
FOR EVERYTHING WORTHWHILE
IN EXISTENCE.
369
00:19:42,548 --> 00:19:45,217
IT IS ABOUT WALKING INTO THE BAR
AND LUSTING AFTER...
370
00:19:45,217 --> 00:19:47,886
ALL THE WORTHWHILE POSSIBILITIES
OF THE WORLD.
371
00:19:47,886 --> 00:19:50,021
IT IS ABOUT FLESH.
372
00:19:50,022 --> 00:19:52,157
IT IS ABOUT WAVES
UNDULATING.
373
00:19:53,759 --> 00:19:56,962
AND IT IS ABOUT
EXHIBITIONISM.
374
00:19:56,962 --> 00:19:58,532
YOU KNOW, I WANT
TO LOOK AT THE FLOWER...
375
00:19:58,533 --> 00:20:01,233
AND APPRECIATE THE
BEAUTY OF A FLOWER.
376
00:20:01,233 --> 00:20:03,368
SOMEBODY ELSE MIGHT SAY,
377
00:20:03,368 --> 00:20:05,805
"YOU CAN LOOK AT THE FLOWER
AND BECOME THE FLOWER.
378
00:20:05,806 --> 00:20:07,006
ISN'T THAT EVEN BETTER?"
379
00:20:07,105 --> 00:20:10,308
BUT THEN I FURTHER
WOULD LOVE IT ON THE CRUISE...
380
00:20:10,842 --> 00:20:11,811
IF I CAN LOOK AT THE FLOWER,
381
00:20:11,812 --> 00:20:13,512
APPRECIATE THE BEAUTY
OF THE FLOWER...
382
00:20:13,512 --> 00:20:16,715
AND THEN HAVE THE FLOWER
APPRECIATE THE BEAUTY OF ME.
383
00:20:20,452 --> 00:20:23,121
THAT'S HOW I FEEL
ABOUT CRUISING RIGHT NOW.
384
00:20:23,121 --> 00:20:26,324
YES, BECOMING THE FLOWER WOULD
BE A LOT OF FUN. I CAN DO THAT TOO.
385
00:20:26,858 --> 00:20:29,828
I CAN DO THAT ON WEDNESDAY.
I'M FREE THURSDAY AFTERNOON.
386
00:20:29,829 --> 00:20:31,129
I CAN TRY TO BECOME THE FLOWER.
387
00:20:31,129 --> 00:20:33,264
BUT COME THE WEEKEND,
GODDAMN IT,
388
00:20:33,265 --> 00:20:35,934
I WILL APPRECIATE
THE BEAUTY OF THE FLOWER,
389
00:20:35,934 --> 00:20:38,603
AND THEN LIKEWISE,
I WILL STAND EXHIBITIONISTIC,
390
00:20:38,604 --> 00:20:41,807
HAVING THE FLOWER APPRECIATE
THE BEAUTY OF ME.
391
00:20:43,408 --> 00:20:46,611
I THINK HAVING AN INTIMATE
"LOVE AFFAIR"...
392
00:20:46,612 --> 00:20:48,213
WITH A FLOWER...
393
00:20:48,747 --> 00:20:51,416
IS FAR MORE PSYCHOTIC
AND RIVETING...
394
00:20:51,416 --> 00:20:54,085
THAN HAVING
"A LOVE AFFAIR"...
395
00:20:54,086 --> 00:20:57,289
WITH SOME OF THE BANAL CREATURES
OF THE HUMAN RACE.
396
00:20:59,424 --> 00:21:02,093
ALTHOUGH I'D BE
INTO THAT TOO.
397
00:21:49,608 --> 00:21:52,277
WELCOME.
398
00:21:52,277 --> 00:21:56,547
THIS IS MY FRIEND RUSSIO'S ROOM,
AND I'M CRASHING HERE RIGHT NOW.
399
00:22:30,716 --> 00:22:32,851
CIVILIZATION...
400
00:22:32,851 --> 00:22:35,520
IS THE AMPUTATION...
401
00:22:35,520 --> 00:22:39,257
OF EVERYTHING
THAT EVER HAPPENED TO US,
402
00:22:40,325 --> 00:22:42,460
AN EXPERIMENT CREATED...
403
00:22:42,461 --> 00:22:44,596
BY ALIENS...
404
00:22:44,596 --> 00:22:47,265
UNABLE TO HAVE SEX.
405
00:22:48,867 --> 00:22:52,604
CIVILIZATION
IS THE MOLESTATION...
406
00:22:52,604 --> 00:22:55,807
OF EVERYTHING
WE EVER COULD BE,
407
00:22:55,807 --> 00:23:00,077
A GIANT REPRESSION
MELTING INTO SUPPRESSION,
408
00:23:00,078 --> 00:23:03,815
SO THAT YOU NEVER SAY
WHAT YOU MEAN.
409
00:23:06,485 --> 00:23:08,620
CIVILIZATION...
410
00:23:08,620 --> 00:23:11,823
IS BREATHING DOWN OUR NECKS,
411
00:23:11,823 --> 00:23:14,492
SPLITTING US APART.
412
00:23:14,493 --> 00:23:16,628
WE ARE WRECKAGE...
413
00:23:16,628 --> 00:23:18,763
WITH BEATING HEARTS.
414
00:23:19,831 --> 00:23:23,568
CIVILIZATION
IS A CAN OF HAIR SPRAY...
415
00:23:23,568 --> 00:23:26,771
SPRAYING FOR
THE SEASONLESS VEIN...
416
00:23:26,772 --> 00:23:30,509
INTO A HAIR NET
MADE UP OF CURLS,
417
00:23:30,509 --> 00:23:33,712
ONLY EVER MEANT TO BE WAVES.
418
00:23:35,847 --> 00:23:38,516
CIVILIZATION--
GENOCIDE BELIEFS,
419
00:23:39,050 --> 00:23:42,253
MORALISTIC,
SEE-THROUGH LACE BLOUSES,
420
00:23:42,788 --> 00:23:44,389
MISSILES BALLISTIC,
421
00:23:44,389 --> 00:23:48,659
LACKADAISICAL,
MELANCHOLIC RED LIPSTICK.
422
00:23:48,660 --> 00:23:52,397
WHEN ONE FEELS NAUSEOUS
BUT DOESN'T FEEL SICK.
423
00:23:53,999 --> 00:23:56,134
CIVILIZATION
KNEW WHO YOU WERE...
424
00:23:56,134 --> 00:23:59,337
BEFORE YOU WERE EVER BORN,
425
00:23:59,337 --> 00:24:03,074
FORGAVE YOU WHEN YOU THOUGHT
YOU NEEDED FORGIVING.
426
00:24:04,676 --> 00:24:06,811
AND YOU NEVER ONCE...
427
00:24:06,812 --> 00:24:08,413
SURPRISED...
428
00:24:08,413 --> 00:24:10,548
THIS CIVILIZATION.
429
00:24:10,549 --> 00:24:13,752
AND YOU NEVER ONCE FELT...
430
00:24:13,752 --> 00:24:16,421
THAT SENSATION.
431
00:24:19,090 --> 00:24:21,093
ANY PASSENGERS GOING TO THE
432
00:24:21,094 --> 00:24:22,294
CIRCLE LINE BOAT...
433
00:24:22,294 --> 00:24:24,429
ARE TO CHECK IN
AT THE FRONT DESK.
434
00:24:24,429 --> 00:24:26,030
LET THEM KNOW YOU'RE HERE.
435
00:24:26,031 --> 00:24:27,768
ANYBODY GOING TO
THE CIRCLE LINE BOAT
436
00:24:27,769 --> 00:24:29,669
FOR NEW YORK WATERWAYS CRUISE,
437
00:24:29,768 --> 00:24:31,238
PLEASE CHECK IN TO
THE FRONT DESK,
438
00:24:31,239 --> 00:24:34,039
LET THEM KNOW YOU'RE
WAITING FOR THAT BUS.
439
00:24:34,039 --> 00:24:36,174
OKAY, TIMMY,
READY TO ROLL?
440
00:24:36,174 --> 00:24:39,377
READY TO ROLL. LET'S DO IT
RIGHT. LET'S FUCKING TOUR.
441
00:24:39,377 --> 00:24:41,512
I WANNA GO HOME.
442
00:24:43,648 --> 00:24:45,852
FOURTEEN HUNDRED
AND SEVENTY-SIX FEET...
443
00:24:45,853 --> 00:24:48,453
OF ORGANIZED
GRANITE AND LIMESTONE.
444
00:24:48,453 --> 00:24:51,656
SIXTY-FOUR HUNDRED
WINDOWS.
445
00:24:51,656 --> 00:24:56,460
TWENTY-SEVEN THOUSAND
RENTABLE INTERIOR METERS OF SPACE.
446
00:24:56,461 --> 00:25:00,731
SEVEN MILES
OF ELEVATOR SHAFTS.
447
00:25:00,732 --> 00:25:03,935
A SLICE OF THE STATE
OF INDIANA...
448
00:25:03,935 --> 00:25:07,672
VAULTED ONTO THE CORNER
OF 34th STREET AND FIFTH AVENUE.
449
00:25:07,672 --> 00:25:10,875
KING KONG CLIMBED IT.
450
00:25:12,477 --> 00:25:16,747
THE EMPIRE STATE BUILDING
WILL BE IN FRONT OF US...
451
00:25:16,748 --> 00:25:20,485
WHEN O'SHAYNE MAKES
THE MASCULINE TURN.
452
00:25:22,621 --> 00:25:27,425
IF ARCHITECTURE IS THE HISTORY
OF ALL PHALLIC EMOTION,
453
00:25:27,425 --> 00:25:30,094
THE EMPIRE STATE BUILDING...
454
00:25:30,629 --> 00:25:32,764
IS UTTER CATHARSIS,
455
00:25:32,764 --> 00:25:35,967
AND WE ARE SITTING
IN ITS SILHOUETTE.
456
00:25:38,103 --> 00:25:40,772
THE BEAUTIFUL PYRAMID
ATOP THE CHRYSLER BUILDING,
457
00:25:40,772 --> 00:25:43,975
MEANT TO BE A REPLICA
OF THE FRONT GRILLE...
458
00:25:43,975 --> 00:25:46,644
ON A 1928 CHRYSLER CAR.
459
00:25:46,645 --> 00:25:51,449
LEWIS MUMFORD, THE MAJOR
ARCHITECTURAL CRITIC OF THAT ERA,
460
00:25:51,449 --> 00:25:53,584
CALLED
THE CHRYSLER BUILDING...
461
00:25:53,585 --> 00:25:56,254
QUOTE,
"UNINSPIRED VOLUPTUOUSNESS".
462
00:25:56,254 --> 00:25:58,389
END QUOTE.
463
00:25:58,390 --> 00:26:01,593
UNINSPIRED VOLUPTUOUSNESS...
464
00:26:01,593 --> 00:26:04,796
IN THE SUNLIGHT.
465
00:26:04,796 --> 00:26:07,999
SUNLIGHT-- POWERFUL.
466
00:26:07,999 --> 00:26:12,269
THE SUN, ANOTHER GREAT
NEW YORK CITY LANDMARK,
467
00:26:12,270 --> 00:26:16,007
ABOVE YOU ON THE LEFT.
468
00:26:18,143 --> 00:26:20,812
THE ARCH IN THE PARK WILL BE
ON THE LEFT SIDE OF THE BUS...
469
00:26:20,812 --> 00:26:23,481
WHEN O'SHAYNE SWINGS US
ONTO 14th STREET.
470
00:26:24,015 --> 00:26:27,218
AND 14th STREET IS THE WIDEST
STREET OF MANHATTAN ISLAND.
471
00:26:27,218 --> 00:26:28,821
THIS IS WHERE THE ISLAND IS...
472
00:26:28,822 --> 00:26:30,422
LITERALLY TWO AND
A HALF MILES WIDE.
473
00:26:30,956 --> 00:26:34,159
AND THAT IS IT,
LADIES AND GENTLEMEN. THAT IS ALL.
474
00:26:34,693 --> 00:26:38,963
TWO AND HALF MILES IS AS WIDE
AS THIS CACOPHONY GETS.
475
00:26:38,964 --> 00:26:43,234
THIRTEEN AND A HALF MILES LONG.
2.4 MILLION PEOPLE.
476
00:26:44,836 --> 00:26:48,573
BE 1.7 MILLION PEOPLE,
I HEARD RECENTLY, BUT I DON'T CARE.
477
00:26:50,709 --> 00:26:52,310
THE FULTON FISH MARKET...
478
00:26:52,844 --> 00:26:56,047
WILL BE MORE OF AN ODOR THAN A
LANDMARK AT THIS TIME OF DAY,
479
00:26:56,047 --> 00:26:59,250
BUT IT REALLY SWINGS OUT
AT 4:00 IN THE MORNING.
480
00:26:59,250 --> 00:27:01,919
ANOTHER TIMOTHY SPEED LEVITCH
RECOMMENDATION,
481
00:27:01,920 --> 00:27:05,123
IF YOU CAN'T SLEEP
AND YOU LIKE FISH.
482
00:27:07,792 --> 00:27:10,995
I HOPE YOU CAN FEEL
THE OMNISCIENCE OF THIS MOMENT,
483
00:27:10,996 --> 00:27:13,666
AS WE HAVE BEEN
BLOCKING THIS TRAFFIC...
484
00:27:13,667 --> 00:27:15,167
AS FAR AS YOU CAN SEE ON THE LEFT.
485
00:27:15,266 --> 00:27:19,003
SENSE THE GRANDEUR
OF YOUR POWER...
486
00:27:19,004 --> 00:27:23,274
AS WE DISRUPT ONE LIFE
AFTER ANOTHER.
487
00:27:23,274 --> 00:27:27,011
LADIES AND GENTLEMEN, MY NAME IS
TIMOTHY. FONTANEZ IS DOWNSTAIRS.
488
00:27:27,012 --> 00:27:30,215
IF YOU NEED ADVICE
OR DIRECTIONS ON NEW YORK CITY,
489
00:27:30,215 --> 00:27:33,418
ON STYLE, ON HOW TO APPEAR
AS A DEBONAIR INDIVIDUAL...
490
00:27:33,418 --> 00:27:36,621
DESPITE INTERIOR FEELINGS
OF DESPAIR,
491
00:27:36,621 --> 00:27:38,756
LET US KNOW.
492
00:27:38,757 --> 00:27:40,861
PLEASE REMEMBER THAT
TOURISM IS A SERVICE TRADE,
493
00:27:40,862 --> 00:27:43,462
AND TIPS ARE ALWAYS APPRECIATED.
494
00:27:43,561 --> 00:27:46,230
WE MEAN THAT.
WE WILL REMEMBER YOU.
495
00:27:49,434 --> 00:27:52,637
THIS IS OUR
CENTRAL PARK SOUTH STOP.
496
00:27:56,908 --> 00:27:59,043
OH, IT'S BIG MONEY,
FONTANEZ.
497
00:27:59,044 --> 00:27:59,879
YOU'RE GONNA GO OUT LATER,
498
00:27:59,880 --> 00:28:01,080
TAKE YOUR CHILDREN
OUT... -AND GET DRUNK.
499
00:28:01,179 --> 00:28:03,848
...FOR SOME ICE CREAM
CONES. -AND GET DRUNK.
500
00:28:03,848 --> 00:28:07,051
YEAH, THAT TOO. WOW.
501
00:28:09,187 --> 00:28:11,557
ONE OF THE GREAT TRAGEDIES
502
00:28:11,558 --> 00:28:13,458
OF THIS EXPERIMENT
CALLED CIVILIZATION...
503
00:28:13,458 --> 00:28:16,127
IS THE FACT THAT PEOPLE
HAVE TO WORK FOR A LIVING.
504
00:28:16,661 --> 00:28:19,330
IT WOULD BE THE FIRST THING,
IF I HAD A CHOICE--
505
00:28:19,330 --> 00:28:21,465
OTHER THAN MY ACNE--
506
00:28:21,466 --> 00:28:24,135
I THINK WOULD BE THE FIRST THING
I WOULD REMOVE FROM MY LIFE.
507
00:28:24,135 --> 00:28:26,639
IF I COULD ERASE AN
ASPECT OF MY LIFE,
508
00:28:26,640 --> 00:28:28,940
IT WOULD BE THIS NEED
TO WORK FOR A LIVING.
509
00:28:32,143 --> 00:28:34,812
YOU UNDERSTAND, IT HAS NOTHING
TO DO WITH THE TOUR ITSELF.
510
00:28:34,813 --> 00:28:36,250
WHEN I'M ON THE TOUR ITSELF...
511
00:28:36,251 --> 00:28:38,451
AND I'M SHOWING OTHERS
THE APPRECIATION OF BEAUTY...
512
00:28:38,550 --> 00:28:40,151
AND THE HUGENESS OF ALL THIS,
513
00:28:40,685 --> 00:28:43,888
AND EXPERIENCING THE LASCIVIOUS
VOYEURISM OF THE TOUR BUS,
514
00:28:43,888 --> 00:28:47,091
AND EROTICIZING WOMEN
IN A CONSPIRACY WITH THIS CITY,
515
00:28:47,092 --> 00:28:49,761
AND HAVING SPIRITUAL
TANTRIC CONNECTIONS...
516
00:28:49,761 --> 00:28:52,430
WITH INTERNATIONAL
FLESH CONGREGATIONS,
517
00:28:52,430 --> 00:28:55,633
THIS IS NOT, IN MY MIND,
WORKING FOR A LIVING.
518
00:28:55,633 --> 00:28:57,768
YET, AT THE SAME TIME,
IT IS,
519
00:28:57,769 --> 00:29:00,438
BECAUSE AT THE END OF THE WEEK
WHEN I'VE MADE $200 AFTER TAXES...
520
00:29:00,438 --> 00:29:03,342
AND I HAVE ALL THESE OTHER
PRAGMATIC EXPENSES...
521
00:29:03,343 --> 00:29:05,243
JUST TO KEEP THE CRUISE ALIVE,
522
00:29:05,243 --> 00:29:07,378
YOU KNOW, IT'S RIDICULOUS.
523
00:29:07,378 --> 00:29:11,115
I CERTAINLY WOULD NEVER WAKE UP
EARLY IN THE MORNING AGAIN,
524
00:29:11,116 --> 00:29:13,785
NOT UNLESS I WAS CRUISING.
525
00:29:36,741 --> 00:29:39,944
THE ROADS AROUND YOU NOW...
526
00:29:39,944 --> 00:29:44,214
WILL BECOME CLAUSTROPHOBIC
AND NARROW IN FEELING.
527
00:29:44,215 --> 00:29:47,418
AND THIS WILL NOT JUST BE
YOUR OWN PROJECTION.
528
00:29:47,418 --> 00:29:52,222
THE ROADS ARE CLAUSTROPHOBIC
AND NARROW IN FEELING.
529
00:29:52,223 --> 00:29:55,426
THESE ARE THE OLDEST ROADWAYS
OF MANHATTAN ISLAND.
530
00:29:55,426 --> 00:29:59,696
THESE DESIGNED BY THE DUTCH
IN THE EARLY 17th CENTURY.
531
00:29:59,697 --> 00:30:03,434
WELCOME TO NEW AMSTERDAM.
532
00:30:05,570 --> 00:30:08,773
FONTANEZ CONTINUES TO
AUDACIOUSLY IMPROVISE,
533
00:30:08,773 --> 00:30:12,510
NOT ONLY WITH THE TOUR ROUTE,
BUT WITH HIS OWN LIFE.
534
00:30:19,450 --> 00:30:22,487
NEXT DOUBLE-DECKER LOOP
535
00:30:22,588 --> 00:30:23,188
IS IN 20 MINUTES.
536
00:30:23,188 --> 00:30:24,591
NO MORE BOARDING AT THIS TIME.
537
00:30:24,592 --> 00:30:26,292
NEXT DOUBLE-DECKER
LOOP TOUR IS IN 20 MINUTES.
538
00:30:26,391 --> 00:30:29,060
NO BOARDING AT THIS TIME.
539
00:30:31,196 --> 00:30:33,865
YOU'VE GOT BLOOD ALL OVER YOU.
540
00:30:33,865 --> 00:30:36,534
FUCKIN' SHAVING THIS MORNING
WAS LIKE A CARNAGE.
541
00:30:36,534 --> 00:30:41,338
JUST CLEAN YOURSELF UP. -THAT'S
EXACTLY WHAT THEY TOLD ME TO DO.
542
00:30:41,339 --> 00:30:45,076
GEORGE WAS CRITICIZING
THE LINING.
543
00:30:45,076 --> 00:30:48,279
I'LL GRANT YOU, IT'S NOT IN
GOOD SHAPE. IT NEEDS NEW LINING.
544
00:30:48,279 --> 00:30:51,482
BUT I DON'T THINK THAT
THAT SHOULD AFFECT MY, YOU KNOW--
545
00:30:52,016 --> 00:30:54,685
THE COSMETICS ARE A TRICKY THING
ON THE DOUBLE-DECKER BUS.
546
00:30:54,686 --> 00:30:58,423
IT'S NOT A MATTER OF SIMPLE...
547
00:30:58,423 --> 00:31:01,626
...CONFORMIST FASTIDIOUSNESS,
YOU KNOW.
548
00:31:01,626 --> 00:31:05,896
I'M NOT DRESSING TO IMPRESS
MY GRANDMOTHER, YOU KNOW.
549
00:31:05,897 --> 00:31:09,100
I AM, IN A LAUNCHING
AND VITRIOLIC WAY,
550
00:31:09,100 --> 00:31:12,837
TRYING, AT ANY EXPENSE,
TO GRAB THE COLLARS OF PEOPLE...
551
00:31:12,837 --> 00:31:16,040
WHO HAVE NO IDEA
WHAT THEY'RE SURROUNDED BY...
552
00:31:16,040 --> 00:31:18,175
AND TRYING TO GRAB
THEIR ATTENTION...
553
00:31:18,176 --> 00:31:20,845
IN THE MIDDLE OF
THE GREATEST TUMULTUOUSNESS.
554
00:31:20,845 --> 00:31:25,115
AND RIPPED LINING
IS PART OF THAT ROUTINE.
555
00:31:26,718 --> 00:31:29,055
I DON'T EXPECT THEM TO
UNDERSTAND THAT, THOUGH,
556
00:31:29,056 --> 00:31:30,456
BECAUSE THEY'VE NEVER DONE IT.
557
00:31:32,056 --> 00:31:35,259
I'D LIKE TO SEE
THEIR DOUBLE-DECKER TOUR.
558
00:31:43,801 --> 00:31:46,470
ST. PAUL'S CHURCH, IN BROWN,
IN FRONT OF THE BUS,
559
00:31:46,471 --> 00:31:48,606
SITTING ON BROADWAY ITSELF,
560
00:31:48,606 --> 00:31:50,176
WAS BUILT BY THE BRITISH EMPIRE...
561
00:31:50,177 --> 00:31:52,877
WHEN THIS WAS STILL
A COLONY IN THE BRITISH EMPIRE...
562
00:31:52,877 --> 00:31:55,012
AND NOT A STATE
IN THE UNION.
563
00:31:55,013 --> 00:31:58,216
GEORGE WASHINGTON--
YOU'VE HEARD OF HIM.
564
00:31:58,216 --> 00:32:00,053
HE TOOK HIS OATH OF OFFICE...
565
00:32:00,054 --> 00:32:01,854
AS THE FIRST PRESIDENT
OF THE UNITED STATES...
566
00:32:01,953 --> 00:32:05,156
AT THE CORNER
OF WALL STREET AND BROAD,
567
00:32:05,156 --> 00:32:07,291
APRIL 30, 1789.
568
00:32:07,292 --> 00:32:11,029
JUST AFTER THE OATH, WASHINGTON
IS MARCHED IN A PROCESSION HERE...
569
00:32:11,029 --> 00:32:13,164
ON THE LEFT, UP BROADWAY,
570
00:32:13,164 --> 00:32:16,367
TAKING A FURTHER LEFT TURN
INTO ST. PAUL'S CHURCH.
571
00:32:16,367 --> 00:32:20,104
WASHINGTON KNEELS AT THE ALTAR
ON A PILLOW...
572
00:32:20,104 --> 00:32:24,374
AND PRAYS FOR THE FUTURE
OF THE UNION.
573
00:32:24,375 --> 00:32:27,044
THE PILLOW STILL SITS
UNDER GLASS...
574
00:32:27,578 --> 00:32:30,781
AT THE ALTAR IN ST. PAUL'S,
ON YOUR LEFT.
575
00:32:30,782 --> 00:32:33,985
"I LOVE THE MAN
THAT CAN SMILE IN TROUBLE,
576
00:32:33,985 --> 00:32:37,722
"THAT CAN GATHER STRENGTH
IN TOTAL DISTRESS...
577
00:32:38,256 --> 00:32:40,391
AND GROW BY REFLECTION".
578
00:32:41,993 --> 00:32:44,662
THOMAS PAINE PARK.
579
00:32:56,941 --> 00:33:00,678
YOU KNOW, ACCORDING
TO THE CITY REPORTS,
580
00:33:00,678 --> 00:33:04,415
ELEVEN PEOPLE HAVE JUMPED
OFF THIS BRIDGE...
581
00:33:04,415 --> 00:33:06,550
AND SURVIVED.
582
00:33:11,356 --> 00:33:14,260
ONE OF MY CRUISING
DREAMS WOULD BE...
583
00:33:14,261 --> 00:33:16,461
TO GET A CRUISE TOGETHER
WITH THOSE 11.
584
00:33:23,634 --> 00:33:25,769
I LOVE THESE THINGS.
585
00:33:29,507 --> 00:33:31,108
I CRUISED THIS BRIDGE
ONCE SOLO...
586
00:33:31,642 --> 00:33:33,777
WHEN I WAS IN
A SEVERE SOLO ANGST,
587
00:33:33,778 --> 00:33:36,715
WHEN THE ENTIRE WORLD HAD
DIVORCED ITSELF FROM ME...
588
00:33:36,716 --> 00:33:37,816
ON A SINGULAR EVENING,
589
00:33:38,049 --> 00:33:40,184
WHICH IS USUALLY
ON TUESDAY NIGHTS.
590
00:33:40,718 --> 00:33:42,853
AND, UH,
I CRUISED THE BRIDGE,
591
00:33:42,854 --> 00:33:46,057
REALIZING THAT, UH,
THE PILLARS OF STONE...
592
00:33:46,057 --> 00:33:48,192
WERE MY FRIENDS.
593
00:33:49,794 --> 00:33:52,463
THEY REALLY
MAKE ME FEEL WHOLE.
594
00:33:52,463 --> 00:33:56,200
THEY REMIND ME THAT MY FUTURE
HAS A BRIGHTNESS, PERHAPS.
595
00:33:56,200 --> 00:33:59,004
EVEN IF I'M THE ONLY ONE
WHO BELIEVES THAT,
596
00:33:59,005 --> 00:34:01,005
I KNOW THEY BELIEVE IT.
597
00:34:17,555 --> 00:34:19,425
ONE THING I LIKE ABOUT...
598
00:34:19,426 --> 00:34:21,826
HAVING THE TRIPTYCHS OF
THE BROOKLYN BRIDGE AS A FRIEND,
599
00:34:21,826 --> 00:34:25,563
CERTAINLY, IS THAT
IT NEVER CONTRADICTS ME.
600
00:34:25,563 --> 00:34:29,300
IF IT MAKES ME FEEL FUTILE,
IT DOES IT INDIRECTLY,
601
00:34:29,834 --> 00:34:31,435
WITH A SUBTLETY.
602
00:34:31,436 --> 00:34:34,105
IT DOES IT WITH AN AMBIVALENCE
AND AN ALOOFNESS.
603
00:34:34,105 --> 00:34:38,375
THERE'S NO VICTORY
IN ITS SUBJUGATION OF ME.
604
00:34:38,376 --> 00:34:40,513
IF IT SUBJUGATES ME,
THAT'S THE DELUSION,
605
00:34:40,514 --> 00:34:42,014
THE POWER OF MY OWN MIND.
606
00:34:42,113 --> 00:34:44,517
THE BEST MOMENTS IN
OUR FRIENDSHIPS...
607
00:34:44,518 --> 00:34:46,918
ARE WHEN I BECOME THE
BROOKLYN BRIDGE IN MY MIND,
608
00:34:46,918 --> 00:34:49,587
WHEN I REALIZE
THAT WE ARE EQUALS.
609
00:35:17,882 --> 00:35:20,017
THESE ARE
THE WORLD TRADE CENTERS.
610
00:35:21,619 --> 00:35:25,356
YEAH, SEE THESE TWO TOWERS?
THE TWIN TOWERS, SEE?
611
00:35:25,890 --> 00:35:27,491
BROTHERS.
612
00:35:27,492 --> 00:35:30,161
SOMETIMES I LIKE TO, UM,
613
00:35:30,161 --> 00:35:32,830
SPIN IN BETWEEN
THE TWO TOWERS.
614
00:35:32,830 --> 00:35:35,499
YOU KNOW, LIKE, UM, SPIN AROUND
AND YOU MAKE YOURSELF DIZZY?
615
00:35:35,500 --> 00:35:37,504
THEN YOU LOOK UP,
616
00:35:37,505 --> 00:35:40,205
AND IT LOOKS LIKE THE BUILDINGS
ARE FALLING IN ON TOP OF YOU.
617
00:35:40,304 --> 00:35:44,041
YEAH, I RECOMMEND THAT.
IT'S FUN.
618
00:35:44,041 --> 00:35:47,244
IF YOU GET TO STAND IN THE
PLAZA BETWEEN THE TWO TOWERS.
619
00:35:47,245 --> 00:35:50,982
BUT DON'T LOOK UP
UNTIL AFTER YOU'RE DIZZY.
620
00:35:57,388 --> 00:36:00,057
GOOD VIEW
OF COMMUTERS...
621
00:36:01,125 --> 00:36:04,328
RUNNING TOWARDS
THEIR DESTINATIONS...
622
00:36:04,328 --> 00:36:06,463
AND FROM THEMSELVES.
623
00:36:24,615 --> 00:36:27,284
I THINK THAT WHEN I
THINK ABOUT MY FUTURE,
624
00:36:27,818 --> 00:36:31,021
INTERESTINGLY, I THINK
ABOUT MY GRANDPARENTS,
625
00:36:31,556 --> 00:36:33,025
BECAUSE, YOU KNOW,
MY GRANDPARENTS
626
00:36:33,026 --> 00:36:34,126
ARE VERY IMPORTANT TO ME.
627
00:36:34,225 --> 00:36:36,894
I SPENT MANY
FORMATIVE MOMENTS...
628
00:36:36,894 --> 00:36:39,563
IN MY FORMATIVE YEARS
WITH THEM.
629
00:36:39,564 --> 00:36:42,233
ALL OF MY SUMMERS
WERE CRUISING WITH THEM.
630
00:36:42,233 --> 00:36:44,902
AND FROM THEIR
POINT OF VIEW,
631
00:36:44,902 --> 00:36:48,105
I KNOW THAT THEY FEEL
THAT I AM CURRENTLY A FAILURE...
632
00:36:48,105 --> 00:36:50,774
AND WILL ALWAYS BE
A DOWNTRODDEN FAILURE.
633
00:36:50,775 --> 00:36:55,579
AND I THINK THAT OFTEN THAT
MY THOUGHTS ABOUT THE FUTURE...
634
00:36:55,580 --> 00:36:58,783
VEER TOWARDS THEIR POINTS
OF VIEW ON THE UNIVERSE,
635
00:36:58,783 --> 00:37:00,918
WHAT THEY CONSIDER
TO BE IMPORTANT,
636
00:37:00,918 --> 00:37:03,088
AND WHAT THEY CONSIDER
TO BE IMPORTANT...
637
00:37:03,089 --> 00:37:05,189
IS A BASIC SELF-PRESERVATIONISM...
638
00:37:05,189 --> 00:37:07,858
AND SECURITY THAT I AM NOT
CREATING FOR MYSELF.
639
00:37:07,858 --> 00:37:12,128
WHAT THEY CONSIDER TO BE
IMPORTANT IS HAVING AN OCCUPATION,
640
00:37:12,129 --> 00:37:13,730
A NICHE IN SOCIETY,
641
00:37:14,265 --> 00:37:18,002
SO THAT WHEN YOU'RE AT A PARTY AND
SOMEBODY ASKS YOU WHAT YOU DO,
642
00:37:18,002 --> 00:37:20,137
YOU'LL HAVE
A SINGLE-WORD ANSWER...
643
00:37:20,137 --> 00:37:22,806
OR AT LEAST YOU CAN ANSWER
WITHIN A SENTENCE.
644
00:37:22,807 --> 00:37:27,611
WELCOME. I KNOW THAT THEY
THINK THAT I'M NOT ALTOGETHER...
645
00:37:27,612 --> 00:37:29,747
WITH MY FEET ON THE GROUND.
646
00:37:29,747 --> 00:37:32,950
I KNOW THAT THEY FEEL THEY'RE
GOING TO BE DYING VERY SOON...
647
00:37:32,950 --> 00:37:36,687
WITH THE KNOWLEDGE THAT I AM
GOING TO KIND OF FADE OUT...
648
00:37:36,687 --> 00:37:39,356
INTO A SUPRATERRESTRIAL
FAILURE.
649
00:37:39,357 --> 00:37:43,094
A SERIES OF AGGRAVATIONS,
A SERIES OF FRUSTRATIONS.
650
00:37:43,094 --> 00:37:46,831
THEIR LACK OF CONFIDENCE IN ME
FROM THE BEGINNING OF MY LIFE...
651
00:37:46,831 --> 00:37:49,768
IS SOMETHING I'VE
ALWAYS BEEN CONTENDING WITH...
652
00:37:49,769 --> 00:37:50,969
AND ALWAYS BEEN OBSESSED WITH.
653
00:37:51,102 --> 00:37:53,072
BYE-BYE. THANK YOU.
654
00:37:53,073 --> 00:37:55,373
IF I HAD AN IMMEDIATE GOAL
ON AN AFTERNOON LIKE TODAY,
655
00:37:55,373 --> 00:37:59,643
IT WOULD BE TO BE ABLE TO SERVE
SOME CONCRETENESS TO THEM,
656
00:37:59,644 --> 00:38:02,313
TO GIVE THEM
A PLATTER OF SUCCESS,
657
00:38:02,313 --> 00:38:04,448
EVEN IF IT WAS ONE ANECDOTE.
658
00:38:04,448 --> 00:38:07,018
SOMETHING THAT THEY COULD,
IN THEIR OWN WORLD...
659
00:38:07,019 --> 00:38:08,719
AND THEIR OWN VERNACULAR,
TASTE AND SAY,
660
00:38:08,719 --> 00:38:11,922
"YES, HE DOES HAVE SOMETHING.
THERE IS HOPE.
661
00:38:11,922 --> 00:38:14,591
THERE IS SOME SORT
OF SUCCESS IN HIS LIFE".
662
00:38:15,126 --> 00:38:16,063
I GRANT YOU,
663
00:38:16,064 --> 00:38:18,764
ALL THESE WORDS I'M USING
ARE KIND OF BLAND AND VAGUE TERMS,
664
00:38:18,863 --> 00:38:20,998
BUT IN MY GRANDPARENTS' WORLD,
665
00:38:20,998 --> 00:38:25,268
THEY'RE THE MOST CONCRETE AND
ABSORBING GOALS A PERSON CAN HAVE.
666
00:38:25,269 --> 00:38:29,006
I REALLY WOULD LIKE TO BE
ABLE TO TELL MY GRANDPARENTS...
667
00:38:29,006 --> 00:38:32,076
THAT I'VE DONE SOMETHING
THAT THEY CAN APPRECIATE,
668
00:38:32,077 --> 00:38:33,777
THAT THEY CAN RESPECT.
669
00:38:35,946 --> 00:38:38,615
I REALLY, REALLY
DO NOT WANT TO BECOME...
670
00:38:38,616 --> 00:38:41,819
THE PERSON THAT THEY THINK
THAT I'M GOING TO BECOME.
671
00:39:29,333 --> 00:39:33,070
THE, UH, IMAGE MAKES ME THINK
OF THIS CONVERSATION,
672
00:39:33,070 --> 00:39:37,874
UH, WITH THIS WOMAN
THE OTHER DAY.
673
00:39:37,875 --> 00:39:42,145
SHE WAS A FASTIDIOUS, JUDAIC-TYPE
WOMAN IN VERY SEXUAL SLACKS.
674
00:39:42,146 --> 00:39:44,281
WE WERE TALKING
ABOUT THE GRID PLAN.
675
00:39:44,281 --> 00:39:47,484
AND I MADE THE COMMENT
ABOUT HOW, YOU KNOW,
676
00:39:47,485 --> 00:39:50,154
THE GRID PLAN EMANATES
FROM OUR WEAKNESSES,
677
00:39:50,688 --> 00:39:52,823
THIS LAYOUT OF AVENUES
AND STREETS IN NEW YORK CITY,
678
00:39:52,823 --> 00:39:54,958
THIS SYSTEM
OF 90-DEGREE ANGLES.
679
00:39:54,959 --> 00:39:58,696
TO ME, THE GRID PLAN IS PURITAN,
IT'S HOMOGENIZING,
680
00:39:58,696 --> 00:40:03,500
IN A CITY WHERE THERE IS
NO HOMOGENIZATION AVAILABLE.
681
00:40:03,501 --> 00:40:06,704
THERE IS ONLY TOTAL EXISTENCE,
TOTAL CACOPHONY,
682
00:40:06,704 --> 00:40:09,907
A TOTAL FLOWING OF HUMAN
ETHNICITIES AND TRIBES AND BEINGS...
683
00:40:10,441 --> 00:40:13,110
AND GRADATIONS OF AWARENESS
AND CONSCIOUSNESS AND CRUISING.
684
00:40:13,110 --> 00:40:15,245
AND--
685
00:40:15,246 --> 00:40:18,449
THIS WOMAN TURNS TO ME. SHE GOES,
"I NEVER EVEN THOUGHT OF THAT".
686
00:40:18,449 --> 00:40:23,253
SHE GOES, "I CAN'T IMAGINE IT.
EVERYONE LIKES THE GRID PLAN".
687
00:40:23,254 --> 00:40:25,389
OF COURSE,
THE QUESTION IS,
688
00:40:25,389 --> 00:40:28,592
"WHO IS EVERYONE?"
IT'S JUST WHAT I HAD SAID.
689
00:40:28,592 --> 00:40:31,261
WHOEVER THAT IS
UNDER THE WHITE COMFORTER,
690
00:40:31,262 --> 00:40:34,999
CUDDLED UP WITH 34th STREET
AND BROADWAY,
691
00:40:34,999 --> 00:40:37,668
EXISTING ON THE CONCRETE
OF THIS CITY,
692
00:40:38,202 --> 00:40:40,039
HUNGRY AND DISHEVELLED,
693
00:40:40,040 --> 00:40:41,840
STRUGGLING TO CRAWL
THEIR WAY ONTO THIS ISLAND...
694
00:40:41,939 --> 00:40:44,608
WITH ALL OF THEIR MACHINATED
RAGES AND HELLISHNESS...
695
00:40:45,142 --> 00:40:47,277
AND SELF-ORCHESTRATED
PURGATORIES--
696
00:40:47,278 --> 00:40:49,947
I MEAN, WHAT DOES THAT PERSON
THINK ABOUT THE GRID PLAN?
697
00:40:49,947 --> 00:40:53,684
PROBABLY MUCH MORE ON MY PLANE
OF THINKING, MY GRADATION OF BEING,
698
00:40:53,684 --> 00:40:56,353
WHICH IS, LET'S JUST
BLOW UP THE GRID PLAN...
699
00:40:56,353 --> 00:40:58,457
AND REWRITE THE STREETS TO BE...
700
00:40:58,458 --> 00:41:01,158
MUCH MORE A SELF-PORTRAITURE
OF OUR PERSONAL STRUGGLES,
701
00:41:01,158 --> 00:41:05,428
RATHER THAN SOME REAL ESTATE
BROKER'S WET DREAM FROM 1807.
702
00:41:05,429 --> 00:41:08,098
WE'RE FORCED TO WALK
IN THESE RIGHT ANGLES.
703
00:41:08,098 --> 00:41:10,233
DOESN'T SHE FIND IT
INFURIATING?
704
00:41:10,234 --> 00:41:12,903
BY BEING SO COMPLETELY
ALLEGIANT TO THE GRID PLAN--
705
00:41:13,437 --> 00:41:15,207
I THINK MOST NOTEWORTHY
IS THIS IDIOM:
706
00:41:15,208 --> 00:41:17,708
"I CAN'T EVEN IMAGINE
CHANGING THE GRID PLAN".
707
00:41:17,708 --> 00:41:20,911
SHE'S REALLY, UH,
ALIGNING HERSELF...
708
00:41:20,911 --> 00:41:23,046
WITH THIS CIVILIZATION.
709
00:41:23,047 --> 00:41:25,716
IT'S LIKE SAYING, "I CAN'T IMAGINE
ALTERING THIS CIVILIZATION.
710
00:41:25,716 --> 00:41:29,986
"I CAN'T IMAGINE ALTERING
THIS MEEK AND LYING MORALITY...
711
00:41:29,987 --> 00:41:32,656
"THAT RULES OUR LIVES.
712
00:41:32,656 --> 00:41:35,693
"CAN'T IMAGINE STANDING UP ON A
CHAIR IN THE ROOM...
713
00:41:35,694 --> 00:41:36,394
"TO CHANGE PERSPECTIVE.
714
00:41:36,393 --> 00:41:40,130
"I CAN'T IMAGINE CHANGING
MY MIND ON ANYTHING.
715
00:41:40,130 --> 00:41:43,867
"I, IN THE END, CAN'T IMAGINE
HAVING MY OWN IDENTITY...
716
00:41:43,868 --> 00:41:47,071
THAT CONTRADICTS
OTHER IDENTITIES".
717
00:41:47,071 --> 00:41:50,274
WHEN SHE SAYS TO ME,
AFTER MY STATEMENTS,
718
00:41:50,274 --> 00:41:51,875
"EVERYONE LIKES
THE GRID PLAN,"
719
00:41:52,409 --> 00:41:55,078
ISN'T SHE AUTOMATICALLY
EXCLUDING MYSELF FROM "EVERYONE"?
720
00:41:55,079 --> 00:41:57,214
HOW COULD YOU NOT LIKE
THE GRID PLAN?
721
00:41:57,214 --> 00:41:58,815
IT'S SO FUNCTIONAL.
722
00:41:58,816 --> 00:42:01,485
YOU TAKE A RIGHT TURN,
A RIGHT TURN, A RIGHT TURN.
723
00:42:01,485 --> 00:42:04,688
THERE'S A RED LIGHT, GREEN LIGHT,
YELLOW LIGHT. IT'S SO SYMMETRICAL.
724
00:42:06,290 --> 00:42:09,493
BY SAYING THAT EVERYONE
LIKES THE GRID PLAN,
725
00:42:09,493 --> 00:42:14,297
YOU'RE SAYING, "I'M GOING TO RELIVE
ALL THE MISTAKES MY PARENTS MADE.
726
00:42:14,298 --> 00:42:17,501
"I'M GOING TO IDENTIFY
AND RELIVE ALL THE SORROWS...
727
00:42:17,501 --> 00:42:20,170
"MY MOTHER EVER
LIVED THROUGH.
728
00:42:20,170 --> 00:42:22,839
"I WILL PROPAGATE AND CREATE
DYSFUNCTIONAL CHILDREN...
729
00:42:22,840 --> 00:42:26,043
"IN THE SAME DYSFUNCTIONAL WAY
THAT I WAS RAISED.
730
00:42:26,043 --> 00:42:28,780
"I WILL SPREAD NEUROSIS
THROUGHOUT THE LANDSCAPE...
731
00:42:28,781 --> 00:42:29,681
"AND DO MY BEST...
732
00:42:29,780 --> 00:42:33,517
"TO RECREATE MYSELF
AND THE DAMAGES OF MY LIFE...
733
00:42:33,517 --> 00:42:36,720
FOR THE NEXT GENERATION".
734
00:42:43,127 --> 00:42:46,864
IF YOU LOOK AT THE ORIGINAL MAPS
OF MIDTOWN MANHATTAN,
735
00:42:46,864 --> 00:42:48,999
EVEN FROM THE BEGINNING
OF THIS CENTURY,
736
00:42:48,999 --> 00:42:52,202
MADISON AVENUE,
IN FRONT OF YOU, IN BACK OF YOU,
737
00:42:52,202 --> 00:42:53,803
IS NOT EVEN ON THE MAP.
738
00:42:53,804 --> 00:42:56,641
THIS BEGINS AS A SERVICE ROAD
FOR FIFTH AVENUE,
739
00:42:56,642 --> 00:42:57,442
ONE BLOCK TO THE WEST.
740
00:42:57,541 --> 00:43:00,311
FIFTH AVENUE IS
"MILLIONAIRE'S ROW,"
741
00:43:00,312 --> 00:43:01,812
A SYSTEM OF
ARISTOCRATIC MANSIONS.
742
00:43:01,812 --> 00:43:03,947
THIS IS WHERE
THE HORSE STABLES ARE.
743
00:43:04,481 --> 00:43:08,218
THIS IS WHERE THE GARDENERS'
SHACKS ARE, NOT THAT LONG AGO.
744
00:43:08,218 --> 00:43:11,421
MADISON AVENUE,
NOT EVEN A BOULEVARD...
745
00:43:11,422 --> 00:43:13,557
UNTIL THE AUTOMOBILE
TAKES OVER THE ISLAND.
746
00:43:14,091 --> 00:43:16,226
WILL YOU LOOK AT IT TODAY.
747
00:43:16,226 --> 00:43:18,895
MAY I RESTATE, RECAPITULATE...
748
00:43:18,896 --> 00:43:21,565
AND GENERALLY REGURGITATE,
749
00:43:21,565 --> 00:43:24,234
WHEN YOU ARE SITTING IN THE
MIDDLE OF MIDTOWN MANHATTAN,
750
00:43:24,768 --> 00:43:27,437
YOU ARE SITTING AMONGST
A 20th-CENTURY INVENTION,
751
00:43:27,972 --> 00:43:31,709
A CITY THAT GREW UP
AT AN EXPLOSION, AS AN EXPLOSION.
752
00:43:31,709 --> 00:43:34,378
IT IS AN EXPLOSION,
AN EXPERIMENT,
753
00:43:34,378 --> 00:43:37,581
A SYSTEM OF TEST TUBES GURGLING,
BOILING OUT OF CONTROL,
754
00:43:38,115 --> 00:43:40,784
A RADIOACTIVE ATOM
SWIRLING.
755
00:43:40,784 --> 00:43:45,054
CIVILIZATION HAS NEVER
LOOKED LIKE THIS BEFORE.
756
00:43:45,055 --> 00:43:47,190
THIS IS LUDICROUSNESS,
757
00:43:47,191 --> 00:43:50,394
AND THIS CANNOT LAST.
758
00:43:52,529 --> 00:43:55,198
THE NEW ANN TAYLOR STORE
ON THE RIGHT.
759
00:44:04,274 --> 00:44:07,477
YESTERDAY GRAY LINE
FINALLY ENFORCED THEIR, UH,
760
00:44:08,545 --> 00:44:12,282
UM, OBLIGATORY
UNIFORM POLICY.
761
00:44:12,816 --> 00:44:14,417
IT'S A NEW POLICY.
762
00:44:14,418 --> 00:44:17,621
WE HAVE TO--
ALL THE TOUR GUIDES HAVE TO WEAR...
763
00:44:17,621 --> 00:44:20,824
GRAY LINE
BRIGHT RED SHIRTS.
764
00:44:20,824 --> 00:44:24,027
AND CERTAINLY MY ILLNESS,
I THINK, IS ASSOCIATED...
765
00:44:24,028 --> 00:44:26,697
WITH THIS LATEST
LEGISLATION.
766
00:44:29,366 --> 00:44:30,969
I MEAN, YOU KNOW THAT I CAME...
767
00:44:30,970 --> 00:44:32,470
TO THE DOUBLE-DECKER BUS
FOR EMPLOYMENT...
768
00:44:32,569 --> 00:44:35,238
FOR ONE REASON
AND ONE ESSENTIAL REASON ONLY,
769
00:44:35,239 --> 00:44:37,908
AND THAT WAS TO, UH,
MEET WOMEN,
770
00:44:37,908 --> 00:44:39,945
TO MEET AND SEDUCE WOMEN...
771
00:44:39,946 --> 00:44:41,546
FROM EVERY HABITABLE
CONTINENT IN THE WORLD.
772
00:44:41,645 --> 00:44:43,082
THAT'S THE ONLY REASON I'M HERE.
773
00:44:43,083 --> 00:44:45,283
I'M CERTAINLY NOT
HERE FOR THE MONEY.
774
00:44:45,382 --> 00:44:48,585
AND, UM, THEY'RE JUST
LITERALLY BLOWING MY SHTICK.
775
00:44:48,585 --> 00:44:50,488
I SAID TO GEORGE YESTERDAY,
776
00:44:50,489 --> 00:44:51,789
BECAUSE
THE DISPATCHERS BASICALLY SAID,
777
00:44:51,789 --> 00:44:55,526
"IF YOU DON'T PUT ON THAT SHIRT,
WE'RE GONNA SEND YOU HOME EARLY".
778
00:44:55,526 --> 00:44:58,195
IT CAN LEAD
TO MY TERMINATION.
779
00:44:58,195 --> 00:45:00,330
THAT'S HOW SERIOUS
THEY ARE ABOUT THIS.
780
00:45:00,330 --> 00:45:02,465
I SAID, "AS FAR
AS I'M CONCERNED,
781
00:45:03,000 --> 00:45:05,669
"THE OFFICIAL GRAY LINE POLICY
AT THIS POINT IS, YOU KNOW,
782
00:45:05,669 --> 00:45:08,338
"'SPEED, YOU ARE NOT GONNA
GET LAID ON OUR BUSES.
783
00:45:08,338 --> 00:45:10,473
WE'RE GONNA MAKE SURE'."
784
00:45:10,474 --> 00:45:12,044
THEY'RE GONNA
MAKE ME PULL A SHTICK...
785
00:45:12,045 --> 00:45:14,745
THAT EVERYBODY ELSE IS PULLIN',
AND IT'S TERRIBLE.
786
00:45:18,282 --> 00:45:20,083
AND, UH, REALLY,
787
00:45:20,617 --> 00:45:23,587
MOSTLY IT'S JUST THE REGIME
SENDING OUT A MESSAGE...
788
00:45:23,588 --> 00:45:24,888
THAT I'M ENTIRELY REPLACEABLE.
789
00:45:24,888 --> 00:45:26,258
IT'S THEM SAYING,
790
00:45:26,259 --> 00:45:29,159
"WE DON'T CARE ABOUT YOUR TOUR.
WE DON'T CARE ABOUT YOU.
791
00:45:29,693 --> 00:45:32,362
"YOU WEAR THIS SHIRT, AND IF
YOU DON'T CONFORM, YOU'RE OUT,
792
00:45:32,362 --> 00:45:34,497
'CAUSE WE CAN REPLACE YOU".
793
00:45:34,498 --> 00:45:37,701
UNEMPLOYMENT IN THIS CITY
RIGHT NOW IS SEVEN PERCENT.
794
00:46:15,072 --> 00:46:18,275
THE ANTI-CRUISE
IN FRONT OF US.
795
00:46:18,275 --> 00:46:20,944
"ANTI,"
AS OPPOSED TO "CRUISE".
796
00:46:20,944 --> 00:46:24,681
THIS IS AN ELEMENTARY AND VERY
PHYSICAL EXAMPLE OF ANTI-CRUISE,
797
00:46:24,681 --> 00:46:26,118
WHERE OUR IMMOBILITY...
798
00:46:26,119 --> 00:46:28,319
IS CREATED BY LITERALLY
JUST A BLOCKADE OF THE SIDEWALK.
799
00:46:28,418 --> 00:46:30,553
THE ANTI-CRUISE
IS EVERYWHERE.
800
00:46:31,088 --> 00:46:34,825
EVERY GOOD DAY OF MY LIFE
IS A DAY I EVADE THE ANTI-CRUISE.
801
00:46:34,825 --> 00:46:36,595
PLEASE KEEP YOUR EYES OPEN,
802
00:46:36,596 --> 00:46:39,096
'CAUSE I DO SENSE A LOT OF THAT
NEGATIVE FODDER IN THE AIR.
803
00:46:39,096 --> 00:46:40,099
I DON'T KNOW ABOUT YOU,
804
00:46:40,100 --> 00:46:42,200
BUT THIS IS A VERY
ECLECTIC AND DANGEROUS AFTERNOON.
805
00:46:42,299 --> 00:46:46,036
THE ANTI-CRUISE
IS CERTAINLY MOBILIZED TODAY.
806
00:46:47,638 --> 00:46:52,976
ON OUR LEFT WILL BE
THE CRIMINAL COURTHOUSE,
807
00:46:52,976 --> 00:46:55,111
CAPITAL OF INCARCERATION.
808
00:46:56,713 --> 00:47:00,983
INCARCERATION, ANOTHER BASIC
ASPECT OF OUR DAILY LIVES,
809
00:47:00,984 --> 00:47:04,721
UTILIZED
IN AN UNORIGINAL WAY...
810
00:47:04,721 --> 00:47:07,390
IN THE CRIMINAL COURTHOUSE
ON OUR LEFT.
811
00:47:07,925 --> 00:47:10,594
AND I CAN PERSONALLY
VOUCH FOR THAT.
812
00:47:23,941 --> 00:47:27,678
THE ANTI-CRUISE IS AN ATTEMPT
TO IMPRISON US.
813
00:47:27,678 --> 00:47:30,881
AT EVERY LEVEL OF LIVING,
IT EXISTS.
814
00:47:30,881 --> 00:47:35,151
YOUNGER CRUISERS
HAVE ASKED ME, "WHY?
815
00:47:35,152 --> 00:47:39,956
"WHY IS THE ANTI-CRUISE
SO AVARICIOUS AND CONSTANT...
816
00:47:40,490 --> 00:47:43,159
IN ITS ATTEMPT
TO STOP THE CRUISE?"
817
00:47:43,160 --> 00:47:45,829
AND I HAVE NO ANSWER.
THERE IS NO ANSWER.
818
00:47:45,829 --> 00:47:48,498
I MEAN,
IT'S GRAVITATIONAL.
819
00:47:48,498 --> 00:47:51,701
IT'S A RELATIONSHIP THAT'S
MADE UP OF RECIPROCALS...
820
00:47:51,702 --> 00:47:54,371
AND OF PULLING GRAVITIES.
821
00:47:54,371 --> 00:47:56,506
IT SIMPLY EXISTS.
822
00:47:56,506 --> 00:48:00,776
WHERE THERE IS CRUISE,
THERE IS AN ESCORT OF ANTI-CRUISE.
823
00:48:00,777 --> 00:48:03,980
BUT EVEN IN A COMPLETE BASTION...
824
00:48:03,981 --> 00:48:06,116
OF ANTI-CRUISE FODDER,
825
00:48:06,116 --> 00:48:09,853
WHICH THIS ENTIRE
SQUARE BLOCK IS,
826
00:48:09,853 --> 00:48:11,988
THERE IS CRUISE.
827
00:48:11,989 --> 00:48:15,726
SOMEWHERE IN THERE IS
A SPARKLE OF CRUISING ENERGY...
828
00:48:15,726 --> 00:48:20,530
DEEPLY SUBLIMATED WITHIN THE
BELLOWING BELLY OF THE BEAST.
829
00:48:23,734 --> 00:48:26,403
SURVIVOR.
830
00:48:26,403 --> 00:48:28,538
HE KNOWS NO PRISON.
831
00:48:28,538 --> 00:48:31,008
THEY WERE ALL OVER
THE PRISON FLOOR,
832
00:48:31,009 --> 00:48:32,809
BUT YOU NEVER SAW THEM
LOOKING MELANCHOLY.
833
00:48:32,809 --> 00:48:35,111
THEY KEPT CRUISIN'.
834
00:48:36,546 --> 00:48:38,681
NO IMPRISONMENT
FOR THE COCKROACH.
835
00:48:38,682 --> 00:48:41,885
LIFE-IMPENDING
DRASTIC SURVIVOR.
836
00:48:41,885 --> 00:48:44,554
THROUGH THE MILLENNIAS,
THROUGH THE ERUPTIONS OF TIME,
837
00:48:44,554 --> 00:48:46,524
PAST THE DINOSAURS,
838
00:48:46,525 --> 00:48:48,825
WITNESSING THE FLIGHT
OF BIRDS FOR THE FIRST TIME,
839
00:48:49,359 --> 00:48:52,028
CLOUDS DYING,
ASTEROIDS HITTING THE EARTH.
840
00:48:52,029 --> 00:48:54,698
NO PRISON FOR THE COCKROACH.
841
00:48:54,698 --> 00:48:58,968
I HAVE SUCH RESPECT
FOR THOSE BASTARDS.
842
00:48:58,969 --> 00:49:01,104
BUT I WAS NOT SO FORTUNATE.
843
00:49:01,104 --> 00:49:03,641
BUT, YOU KNOW, I WAS
CRUISING HARD AT THAT TIME,
844
00:49:03,642 --> 00:49:04,742
SO WHEN YOU THINK ABOUT IT--
845
00:49:04,841 --> 00:49:06,976
THE ANTI-CRUISE REALLY
BREATHING DOWN MY NECK...
846
00:49:07,511 --> 00:49:10,714
COULD NOT ALLOW ME
EVEN PHYSICAL MOBILITY.
847
00:49:10,714 --> 00:49:12,417
I WAS-- ACCORDING TO THEM,
848
00:49:12,418 --> 00:49:13,818
I WAS RUNNING FROM
THE COPS FOR A MONTH...
849
00:49:13,917 --> 00:49:15,518
BEFORE THEY CAUGHT UP TO ME.
850
00:49:16,053 --> 00:49:18,090
I WAS NOT EVEN AWARE
THAT I WAS RUNNING FROM THE COPS...
851
00:49:18,091 --> 00:49:19,691
AS MUCH AS FROM THE ANTI-CRUISE.
852
00:49:19,790 --> 00:49:22,459
I FELT LIKE A FUGITIVE,
BUT YOU KNOW WHAT?
853
00:49:22,459 --> 00:49:24,594
EVERY DAY I FEEL
LIKE A FUGITIVE.
854
00:49:24,594 --> 00:49:25,631
IT NEVER OCCURRED TO THEM...
855
00:49:25,632 --> 00:49:28,332
THAT I'M RUNNING
FROM THE ANTI-CRUISE EVERY DAY.
856
00:49:28,332 --> 00:49:31,001
WHEN I WAS UP IN FRONT OF THE
JUDGE FOR MY ARRAIGNMENT,
857
00:49:31,001 --> 00:49:32,004
THE JUDGE SAID,
858
00:49:32,005 --> 00:49:34,205
"MY BIGGEST PROBLEM WITH
THIS CASE IS THAT THIS GUY--
859
00:49:34,738 --> 00:49:37,407
"THIS CURRENT PERSON
WE'RE JUDGING--
860
00:49:37,407 --> 00:49:40,076
RAN FROM THE POLICE
FOR A MONTH".
861
00:49:40,077 --> 00:49:43,280
IF I COULD HAVE SPOKEN-- OF COURSE,
I WASN'T ALLOWED TO SPEAK--
862
00:49:43,280 --> 00:49:46,483
I WOULD HAVE SAID,
"IT'S BEEN A LOT MORE THAN A MONTH.
863
00:49:46,483 --> 00:49:49,152
"I'VE BEEN RUNNING
FROM YOU PEOPLE ALL MY LIFE.
864
00:49:49,152 --> 00:49:51,821
ALL MY LIFE.
AND I'M GONNA KEEP RUNNING".
865
00:49:55,192 --> 00:49:56,562
THERE ARE SO MANY PRISONERS,
866
00:49:56,563 --> 00:49:58,663
INMATES, SO MANY
PEOPLE TO BE JUDGED,
867
00:49:58,762 --> 00:50:00,897
THEY DON'T EVEN HAVE TIME TO
CONSIDER YOU AS A HUMAN BEING.
868
00:50:01,431 --> 00:50:04,100
YOU'RE FILED THROUGH
AS IN AN ASSEMBLY LINE.
869
00:50:04,101 --> 00:50:05,071
IN SOME WAYS,
870
00:50:05,072 --> 00:50:08,372
IT MADE ME THINK OF THE FACT THAT
IN TERMS OF MOLECULAR BIOLOGY,
871
00:50:08,372 --> 00:50:11,041
WE HAVE THE SAME INFRASTRUCTURE
AS PLANTS.
872
00:50:11,041 --> 00:50:13,044
SO THIS ENTIRE
NOTION OF INDIVIDUALITY...
873
00:50:13,045 --> 00:50:14,145
IS A DELUSION ANYWAY.
874
00:50:14,244 --> 00:50:16,379
IT IS A DIREFUL DELUSION.
875
00:50:16,380 --> 00:50:19,583
THERE IS NO REAL INDIVIDUALITY
EXCEPT FOR THAT WHICH WE PROJECT.
876
00:50:19,583 --> 00:50:21,087
BUT SITTING IN THE CELL BLOCK,
877
00:50:21,088 --> 00:50:24,388
I REALIZED THAT THE PURSUIT OF
THAT SO-CALLED INDIVIDUALITY...
878
00:50:24,388 --> 00:50:27,591
IS EVERYTHING I BELIEVE IN.
879
00:50:28,125 --> 00:50:30,062
THE FULLEST PURSUIT OF THOSE...
880
00:50:30,063 --> 00:50:31,863
POSSIBILITIES OF THAT
"INDIVIDUALITY,"
881
00:50:32,396 --> 00:50:33,997
EVEN IF IT IS
AN ABSOLUTE FAILURE,
882
00:50:33,997 --> 00:50:37,200
IT IS THE MOST BEAUTIFUL
FAILURE I CAN THINK OF.
883
00:50:39,336 --> 00:50:42,005
I DON'T CARE
IF IT'S A DELUSION.
884
00:50:42,005 --> 00:50:45,742
I DON'T CARE IF WE HAVE
THE SAME INFRASTRUCTURE AS PLANTS.
885
00:50:45,742 --> 00:50:48,945
I WANT TO BE THE PLANT
THAT GROWS THE HIGHEST.
886
00:50:48,945 --> 00:50:51,080
I WANT TO BE THE BEAN STALK.
887
00:50:52,682 --> 00:50:55,885
I WANT TO BE THE FLOWER...
888
00:50:55,886 --> 00:50:59,089
THAT SMELLS MOST PROFUSELY,
889
00:50:59,089 --> 00:51:02,826
THAT VEERS MOST DRASTICALLY
TOWARDS THE SUNLIGHT.
890
00:51:08,165 --> 00:51:11,902
LOOK AT THESE BEAUTIFUL
LEAVES, FOR GOD'S SAKES.
891
00:51:23,113 --> 00:51:25,782
YOU SEE THAT?
SEE HOW STUBBORN THIS LEAF IS?
892
00:51:25,782 --> 00:51:28,019
I'M TRYING TO PICK IT UP, LIKE LOOK,
893
00:51:28,020 --> 00:51:29,420
PICK UP THE SPIRIT.
LIKE PICK IT UP NOW.
894
00:51:29,519 --> 00:51:33,256
LET'S GET SOME EXPANSION.
LET'S GET SOME ERECTION GOIN'.
895
00:51:33,256 --> 00:51:36,993
HE'S LIKE, "I'M FLACCID. I'M NOT
MOVIN'. I'M NOT DOIN' IT TODAY".
896
00:51:36,993 --> 00:51:39,662
COME ON, IT'S WEST 67th STREET.
IT'S SUNDAY AFTERNOON.
897
00:51:39,663 --> 00:51:42,332
IT'S AUGUST. DO THIS.
"NO, NO, NO".
898
00:51:42,332 --> 00:51:46,069
COME ON, GET IT UP.
"NO, IT'S NOT GONNA HAPPEN TODAY".
899
00:51:46,069 --> 00:51:47,670
COME ON NOW!
900
00:51:47,671 --> 00:51:50,874
LOOK AT THIS GUY.
HE'S TOTALLY DIFFERENT.
901
00:51:50,874 --> 00:51:53,009
DIFFERENT COLOR,
DIFFERENT ATTITUDE.
902
00:51:53,009 --> 00:51:54,610
LOOK AT THAT STYLE.
903
00:51:55,145 --> 00:51:57,814
AND THEY MOVE WITH YOU.
THEY'VE GOT SUCH MOBILITY THERE.
904
00:52:00,484 --> 00:52:03,687
THIS GUY'S LIKE STREAMLINED,
LIKE SEXY.
905
00:52:03,687 --> 00:52:06,890
SO SEXY.
LOOK AT THOSE LINES.
906
00:52:07,424 --> 00:52:09,025
AN AIRPLANE.
907
00:52:13,296 --> 00:52:15,431
BEAUTIFUL.
908
00:52:22,372 --> 00:52:23,973
GOTTA RISE.
909
00:52:26,109 --> 00:52:29,312
RISE.
RISE TO THE OCCASION.
910
00:52:31,448 --> 00:52:33,785
THESE PEOPLE ARE
ON THE 12:00 DOWN,
911
00:52:33,786 --> 00:52:35,186
AND THEY DON'T LOOK LIKE IT TO ME.
912
00:52:35,719 --> 00:52:39,456
THE 12:00 DOWN ON THIS PARTICULAR
DAY WILL NEVER HAPPEN AGAIN.
913
00:52:39,456 --> 00:52:42,193
I DON'T THINK THAT THEY'RE
UNDERSTANDING THAT RIGHT NOW.
914
00:52:42,194 --> 00:52:43,194
LOOK AT THIS.
915
00:52:47,464 --> 00:52:49,599
RISE.
916
00:52:49,599 --> 00:52:51,734
GO FOR IT.
917
00:52:51,735 --> 00:52:55,472
GOOD LUCK OUT THERE.
GOOD-BYE.
918
00:52:55,472 --> 00:52:57,607
GOOD LUCK.
919
00:54:39,576 --> 00:54:43,846
I THINK THAT MY FAVORITE VICTORY
IS THE ABILITY TO FEEL.
920
00:54:44,381 --> 00:54:47,050
SUCH INSINCERITY--
IT'S INCREDIBLE.
921
00:54:47,050 --> 00:54:51,320
IF THE CRUISE IS ANYTHING,
BE IT APPRECIATION, BE IT A VOYAGE,
922
00:54:51,321 --> 00:54:53,990
BE IT AN ADVENTURE
THAT LEADS BACK TO OURSELVES,
923
00:54:53,990 --> 00:54:56,125
BE IT A CARTWHEEL
OR A SOMERSAULT--
924
00:54:56,126 --> 00:54:59,863
IF YOU FIND THE CRUISE IN A PIECE
OF CARROT CAKE, A TOPLESS BAR,
925
00:54:59,863 --> 00:55:03,600
THE ONE THING THE CRUISE
ALWAYS IS, I THINK, IS SINCERE.
926
00:55:03,600 --> 00:55:08,404
AND SINCERITY IS ONE OF MY
FAVORITE VICTORIES IN THIS LIFETIME.
927
00:55:08,405 --> 00:55:11,608
I MEAN, HOW MUCH REBELLION
DID I HAVE TO EXPERIENCE?
928
00:55:11,608 --> 00:55:13,209
HOW MUCH FIGHTING DID I DO?
929
00:55:13,743 --> 00:55:15,480
HOW MANY TIMES DID
I HAVE TO IGNORE...
930
00:55:15,481 --> 00:55:17,381
MY FATHER'S INABILITY TO EMOTE?
931
00:55:17,480 --> 00:55:21,217
HOW WE ALL IGNORE OUR FATHERS'
INABILITY TO EMOTE IN OUR PRESENCE.
932
00:55:21,217 --> 00:55:23,886
HOW MUCH AIR-CONDITIONING
DID I HAVE TO TRANSCEND...
933
00:55:23,887 --> 00:55:26,556
AND THE COMFORT
THAT GOES ALONG WITH IT?
934
00:55:26,556 --> 00:55:29,225
THE COMFORTABLE COUCHES,
THE TELEVISION,
935
00:55:29,759 --> 00:55:32,428
THE MAGNITUDE OF STATIC
THAT SURROUNDS US.
936
00:55:32,962 --> 00:55:37,232
HOW MUCH DAILY INFIGHTING,
STRATEGIZING, EVADING, RUNNING...
937
00:55:37,233 --> 00:55:40,436
DID I HAVE TO DO
FOR THE ABILITY TO FEEL,
938
00:55:40,437 --> 00:55:42,572
FOR THE ABILITY TO EMOTE,
939
00:55:42,572 --> 00:55:47,376
FOR THE SIMPLE MOMENTS
WHEN I FEEL ACTUAL PASSION?
940
00:55:53,783 --> 00:55:57,520
HELLO, EVERYONE.
CAN YOU HEAR ME IN THE BACK?
941
00:55:57,520 --> 00:55:59,655
WELCOME TO NEW YORK CITY.
942
00:55:59,656 --> 00:56:02,360
H.G. WELLS ONCE WROTE
THAT TO TELL
943
00:56:03,361 --> 00:56:04,461
THE SOCIAL HISTORY
OF NEW YORK CITY...
944
00:56:04,461 --> 00:56:09,265
IS TO TELL THE HISTORY OF THE
WORLD, THE STORY OF THE WORLD.
945
00:56:09,265 --> 00:56:12,468
IT'S GOING TO BE
A LONG MORNING.
946
00:56:21,544 --> 00:56:26,882
TO ALL MY ENEMIES
WHO ADD FLAVOR TO MY LIFE,
947
00:56:26,883 --> 00:56:29,220
WHY DON'T YOU COME UP HERE
TO THE BROOKLYN BRIDGE...
948
00:56:29,221 --> 00:56:30,521
SO WE CAN TALK ABOUT IT?
949
00:56:30,620 --> 00:56:34,890
WHY DON'T YOU COME UP HERE
AND TALK TO ME ABOUT IT?
950
00:56:34,891 --> 00:56:36,492
TO LESLIE LINDENSTRAUS:
951
00:56:37,026 --> 00:56:40,763
LOOK, IF YOU WANNA TRY TO CHOKE
ME WHEN I'M, LIKE, PREPUBESCENT...
952
00:56:40,764 --> 00:56:42,899
AND REALLY MUCH SMALLER
THAN YOU, THAT'S FINE.
953
00:56:42,899 --> 00:56:46,102
I KNOW THAT'S HOW WE ALL
REALLY FEEL ABOUT EACH OTHER,
954
00:56:46,102 --> 00:56:48,237
AND I KNOW THAT'S WHAT
IT'S REALLY ALL ABOUT.
955
00:56:48,238 --> 00:56:51,242
BUT I'M GONNA FIND YOU AND KICK
YOUR ASS 'CAUSE I'M NOT SEVEN...
956
00:56:51,243 --> 00:56:52,943
AND PREPUBESCENT ANYMORE.
957
00:56:53,042 --> 00:56:56,779
I DON'T KNOW WHERE YOU ARE,
BUT I REMEMBER THAT DAY.
958
00:56:56,780 --> 00:56:58,381
TO JORDAN:
959
00:56:58,915 --> 00:57:00,352
LOOK, BANANAS MAY BE SOMETHING...
960
00:57:00,353 --> 00:57:02,553
THAT YOU AND YOUR FRIEND
CAN EAT WITHOUT ME, ALL RIGHT?
961
00:57:02,652 --> 00:57:05,855
YES, I WANTED A BANANA
AND YES, YOU LEFT ME OUT.
962
00:57:05,855 --> 00:57:09,058
BUT THAT'S OKAY BECAUSE
THERE ARE OTHER BANANAS.
963
00:57:09,058 --> 00:57:11,193
I THINK I PROVED THAT
TO YOU BY NOW.
964
00:57:11,194 --> 00:57:13,329
TO TIRZAH:
965
00:57:13,329 --> 00:57:17,599
THERE WAS ABOUT TWO HOURS OF
MY ENTIRE LIFE THUS FAR ON EARTH...
966
00:57:17,600 --> 00:57:20,269
WHEN I WAS ABSOLUTELY
DEPENDENT UPON YOU.
967
00:57:20,270 --> 00:57:25,074
AND THOSE WERE A COUPLE
OF THE WORST HOURS OF MY LIFE.
968
00:57:25,074 --> 00:57:29,344
TO CHARLES PURPURRA: I KNOW
YOU NEVER READ MY SCREENPLAY.
969
00:57:29,345 --> 00:57:33,082
AND TO LESLIE LEE: I KNOW YOU
DIDN'T READ THAT FULL-LENGTH PLAY.
970
00:57:33,082 --> 00:57:36,285
I WORKED ON IT. I SWEATED
ON IT. I TURMOILED OVER IT.
971
00:57:36,286 --> 00:57:37,887
I MALAISED THROUGH IT.
972
00:57:37,887 --> 00:57:41,624
I LIVED ABOVE IT, UNDER IT,
BECAUSE OF IT, NOT BECAUSE OF IT.
973
00:57:41,624 --> 00:57:43,225
I HATED IT. I LOVED IT.
974
00:57:43,226 --> 00:57:46,963
I DIED AND I WAS REBORN WITHIN THE
ROOM AS I WORKED ON THAT PLAY,
975
00:57:47,497 --> 00:57:50,166
AND I KNOW
YOU DID NOT READ IT.
976
00:57:50,700 --> 00:57:51,637
TO SWAYNE,
977
00:57:51,638 --> 00:57:54,338
WHO SUPPOSEDLY WAS GOING
TO READ THAT SCRIPT I GAVE HIM.
978
00:57:54,437 --> 00:57:56,572
AND YOU KNOW WHAT?
FUCK THE SCRIPT.
979
00:57:56,573 --> 00:57:58,076
YOU ARE FOREVER KNOWN
AS THE TOUR GUIDE...
980
00:57:58,077 --> 00:57:59,677
WHO GOT HIT BY A TRAFFIC LIGHT.
981
00:57:59,776 --> 00:58:02,445
AND I THINK THAT'S
THE PROPER EPITHET FOR YOU.
982
00:58:02,979 --> 00:58:05,016
AND HOW DARE YOU
DO A TINA HOWE PLAY...
983
00:58:05,017 --> 00:58:06,617
IN THE MIDDLE OF JUNE
IN NEW YORK CITY,
984
00:58:06,716 --> 00:58:09,919
AS IF I HAVE TIME TO SIT THERE
AND LISTEN TO THAT TRASH...
985
00:58:09,919 --> 00:58:12,588
WHEN THERE IS SHTICKING
AND CRUISING TO BE DONE.
986
00:58:12,589 --> 00:58:15,792
YOU OBVIOUSLY LEAD
AN "INFINTESTIMIAL" EXISTENCE.
987
00:58:15,792 --> 00:58:17,927
TO JOSH:
988
00:58:17,927 --> 00:58:20,596
YOUR NARCISSISM...
989
00:58:22,198 --> 00:58:23,799
IS MEDIOCRE.
990
00:58:23,800 --> 00:58:26,469
NARCISSISM IN SOME WAYS
IS INEVITABLE.
991
00:58:26,469 --> 00:58:30,206
I MEAN, SINCE WE'RE ALL LIVING IN
THE SAME BODIES FOR THIS MORTALITY,
992
00:58:30,206 --> 00:58:31,609
IT'S ALMOST INEVITABLE
THAT WE WILL BE...
993
00:58:31,610 --> 00:58:33,310
SELF-ABSORBED AT SOME POINT.
994
00:58:33,409 --> 00:58:36,078
BUT WHY IS IT THAT SO MANY PEOPLE
HAVE A NARCISSISM AS YOURSELF...
995
00:58:36,079 --> 00:58:39,282
THAT LEADS TO MEDIOCRITY
AND NOTHING ELSE?
996
00:58:39,282 --> 00:58:41,951
TO JEN AND MICHELLE:
997
00:58:41,951 --> 00:58:44,620
THAT WAS SUPPOSED
TO BE AN ORGY.
998
00:58:44,621 --> 00:58:47,058
I DON'T KNOW HOW IT
CAME DOWN TO A DOUBLE DATE...
999
00:58:47,059 --> 00:58:48,759
WITH ME AS A FIFTH WHEEL.
1000
00:58:48,858 --> 00:58:52,496
THAT SUCKS. I'VE NEVER BEEN
IN A SITUATION WHERE I'VE BEEN...
1001
00:58:52,497 --> 00:58:53,597
SO SEVERELY DISSED.
1002
00:58:53,696 --> 00:58:56,734
I MEAN, AN ORGY IS WHEN
EVERYBODY PARTICIPATES,
1003
00:58:56,735 --> 00:58:59,035
NOT FOUR OUT OF FIVE IN THE ROOM.
1004
00:59:00,637 --> 00:59:02,238
TO RAELLE:
1005
00:59:02,772 --> 00:59:07,576
I AM NOT GOING TO GO
TO SOME SINGLE JEWISH PARTY...
1006
00:59:07,577 --> 00:59:10,246
BECAUSE I'M A DISHEVELLED
WRECK OF A SHTICKER...
1007
00:59:10,246 --> 00:59:12,915
TO TRY TO MEET
SOME LONG ISLAND JEWESS...
1008
00:59:12,916 --> 00:59:16,119
AND LAND ON A FRONT YARD
IN A HOUSE WITH TWO CARS...
1009
00:59:16,119 --> 00:59:18,056
AND CHILDREN WHO
BAWL MY NAME...
1010
00:59:18,057 --> 00:59:19,757
THROUGH THEIR OWN
SALIVARY GLANDS.
1011
00:59:19,856 --> 00:59:23,593
THAT MAY BE YOUR APPROXIMATE
GOAL, BUT THAT IS NOT MINE.
1012
00:59:23,593 --> 00:59:26,796
I AM SURPRISED
BY YOUR UNORIGINALITY,
1013
00:59:26,796 --> 00:59:30,533
AND I AM TIRED
OF YOUR SILLY EMASCULATIONS.
1014
00:59:30,533 --> 00:59:32,670
I WOULD PREFER TO BE
EMASCULATED BY A WOMAN...
1015
00:59:32,671 --> 00:59:34,171
WITH MUCH MORE SEVERITY...
1016
00:59:34,270 --> 00:59:36,939
AND WITH A LITTLE BIT
MORE BACKBONE.
1017
00:59:38,007 --> 00:59:40,142
TO MEM LEVITCH:
1018
00:59:40,143 --> 00:59:42,812
WHY DON'T YOU
LEAVE ME ALONE?
1019
00:59:42,812 --> 00:59:46,015
I'M TRYING TO LEAD SOMETHING
OF A YOUTHFUL EXISTENCE HERE.
1020
00:59:46,015 --> 00:59:48,684
I'M STANDING HERE
ON THE BROOKLYN BRIDGE TODAY...
1021
00:59:48,685 --> 00:59:50,689
TALKING TO THE BROOKLYN BRIDGE...
1022
00:59:50,690 --> 00:59:53,390
ABOUT THE MINUSCULE
MOMENTS OF ALIENATION...
1023
00:59:53,489 --> 00:59:56,692
THAT I REMEMBER SO WELL
OVER THE LAST QUARTER CENTURY,
1024
00:59:56,693 --> 00:59:59,362
AND ALL YOU CAN DO
IS LEAVE MESSAGES ON MY MACHINE...
1025
00:59:59,362 --> 01:00:01,665
AND LECTURE ME ABOUT
HOW MUCH YOU NEED ME...
1026
01:00:01,666 --> 01:00:02,466
UP THERE IN WESTCHESTER.
1027
01:00:02,565 --> 01:00:06,302
WHAT AM I SUPPOSED TO DO?
CHECK THE AIR IN YOUR TIRES?
1028
01:00:06,302 --> 01:00:10,039
YOU NEVER ONCE VAULTED
OUT OF THE GOLDEN CHAIR.
1029
01:00:10,039 --> 01:00:12,643
YOU NEVER HAD THE GUTS,
THE AUDACITY,
1030
01:00:12,644 --> 01:00:14,844
TO STAND UP AND DO
SOMETHING WITH YOUR LIFE.
1031
01:00:14,844 --> 01:00:17,514
YOU COULD ONLY UTILIZE
YOUR OWN NARCISSISMS...
1032
01:00:17,515 --> 01:00:19,115
AND YOUR OWN SELF-ABSORPTION...
1033
01:00:19,115 --> 01:00:22,085
TO ALWAYS, IN A TONAL SENSE,
IMPLY TO ME, YOUR CHILD,
1034
01:00:22,086 --> 01:00:23,386
THAT I HAD TO SAVE YOUR LIFE.
1035
01:00:23,920 --> 01:00:27,657
AND THIS HAS BEEN A DAILY CRUSADE
FROM THE FIRST MOMENT OF MY BIRTH.
1036
01:00:27,657 --> 01:00:29,792
AND WHEN I EMANATED
FROM YOUR BLOODY THIGHS,
1037
01:00:30,326 --> 01:00:34,063
IF I'D KNOWN ALL THIS, I'M SURE
I WOULD HAVE CRAWLED BACK IN.
1038
01:00:34,063 --> 01:00:37,033
DON'T YOU KNOW THAT
ALL THE MENSTRUATION...
1039
01:00:37,034 --> 01:00:38,334
THAT HAPPENED AFTER THAT...
1040
01:00:38,334 --> 01:00:42,071
WAS PARTS OF MYSELF LEFT BEHIND
THAT YOU WERE CHOKING TO DEATH?
1041
01:00:42,071 --> 01:00:44,206
THAT WAS MY BLOOD!
1042
01:00:55,418 --> 01:00:58,087
"WHEN I STOOD ATOP
THE BROOKLYN BRIDGE...
1043
01:00:58,087 --> 01:01:00,756
"OVERLOOKING
THE BROOKLYN NAVY YARD,
1044
01:01:00,757 --> 01:01:02,892
"I FELT SEVERED
FROM HUMANITY,
1045
01:01:02,892 --> 01:01:06,629
"FROM THE ACTIVITIES
OF HUMANITY, FROM MAN HIMSELF,
1046
01:01:06,629 --> 01:01:09,298
"STARING AT BROOKLYN
AND THEN MANHATTAN.
1047
01:01:09,298 --> 01:01:12,501
"IT MADE NO DIFFERENCE
WHICH DIRECTION I WALKED IN.
1048
01:01:12,502 --> 01:01:15,705
EITHER WAY WAS HELL".
1049
01:01:15,705 --> 01:01:19,442
HENRY MILLER,
TROPIC OF CAPRICORN.
1050
01:01:19,442 --> 01:01:21,746
AND A GOOD LITERARY DESCRIPTION...
1051
01:01:21,747 --> 01:01:24,247
OF A NEW YORK CITY
NERVOUS BREAKDOWN.
1052
01:01:29,052 --> 01:01:32,255
TIMES SQUARE,
EMPIRE STATE BUILDING,
1053
01:01:32,255 --> 01:01:35,458
GREENWICH VILLAGE,
STOP AT BLEECKER AND LAGUARDIA,
1054
01:01:35,458 --> 01:01:38,127
THROUGH SOHO,
RIGHT ON BROADWAY,
1055
01:01:38,127 --> 01:01:40,796
CHINATOWN/SOHO/LITTLE ITALY
STOP. HELLO.
1056
01:01:40,797 --> 01:01:43,466
WORLD TRADE CENTERS,
BATTERY PARK,
1057
01:01:43,466 --> 01:01:47,203
STATUE OF LIBERTY, OF COURSE,
SOUTH STREET SEAPORT, WALL STREET,
1058
01:01:47,203 --> 01:01:49,872
UP THROUGH THE OTHER SIDE
OF CHINATOWN, UP FIRST AVENUE,
1059
01:01:49,872 --> 01:01:52,541
DELANCEY AND ALLEN,
ORCHARD STREET FLEA MARKET,
1060
01:01:52,542 --> 01:01:54,345
THE UNITED NATIONS,
ACROSS 49th STREET,
1061
01:01:54,346 --> 01:01:55,646
THE WALDORF-ASTORIA SHTICK,
1062
01:01:55,745 --> 01:01:58,414
PARK AVENUE ON EITHER SIDE
OF YOU, UP MADISON AVENUE,
1063
01:01:58,414 --> 01:02:01,084
CENTRAL PARK SOUTH STOP,
DOWN TO ROCKEFELLER CENTER,
1064
01:02:01,085 --> 01:02:02,685
BACK TO THE TERMINAL.
1065
01:02:02,685 --> 01:02:05,354
THAT'S LIFE.
1066
01:02:05,354 --> 01:02:07,489
LIFE--
1067
01:02:07,490 --> 01:02:11,227
A CIRCLE WROUGHT
WITH DESTINATIONS.
1068
01:02:11,227 --> 01:02:16,031
PEOPLE CONSTANTLY JUMPING OFF THE
BUS AND JUMPING BACK ONTO THE BUS.
1069
01:02:16,032 --> 01:02:18,167
SEA LIONS.
1070
01:02:21,370 --> 01:02:23,505
NABOBS.
1071
01:02:30,980 --> 01:02:33,115
THE CIRCLE.
1072
01:02:41,124 --> 01:02:43,793
WHEN YOU CROSS THE STREET
CALLED HOUSTON STREET,
1073
01:02:43,793 --> 01:02:46,462
YOU ENTER THE DISTRICT
CALLED SOHO,
1074
01:02:46,462 --> 01:02:49,131
WHICH STANDS
FOR "SOUTH OF HOUSTON".
1075
01:02:49,132 --> 01:02:51,267
AND AS WE
ENTER SOHO TODAY,
1076
01:02:51,801 --> 01:02:53,205
I'D LIKE TO TAKE A MOMENT...
1077
01:02:53,206 --> 01:02:56,606
TO DEDICATE THIS CRUISE
AND THIS ENTRANCE INTO SOHO...
1078
01:02:56,606 --> 01:02:59,809
TO OUR DRIVER AND NAVIGATOR
DOWNSTAIRS, BENITEZ.
1079
01:02:59,809 --> 01:03:01,944
IN A CERTAIN PERSONAL
DESPAIR TODAY,
1080
01:03:01,944 --> 01:03:04,014
I WANT HIM TO KNOW
THAT I AM WITH HIM,
1081
01:03:04,015 --> 01:03:06,215
AND I'M BACKING HIM UP ALL THE WAY.
1082
01:03:06,215 --> 01:03:08,350
WE'VE DONE
MANY CIRCLES TOGETHER,
1083
01:03:08,351 --> 01:03:12,088
AND TOGETHER
WE'VE SUFFERED, AS WE ENTER SOHO.
1084
01:03:12,088 --> 01:03:16,358
WE'RE CROSSING HOUSTON STREET
RIGHT NOW. CAN YOU FEEL IT?
1085
01:03:16,359 --> 01:03:19,028
BENITEZ,
CAN YOU FEEL IT?
1086
01:03:19,028 --> 01:03:21,697
WE'RE ENTERING SOHO.
1087
01:03:38,781 --> 01:03:43,051
I WROTE JON A LETTER ABOUT
THE, UH, LAMED VOVNIKS.
1088
01:03:43,052 --> 01:03:45,721
UM--
1089
01:03:45,721 --> 01:03:49,458
THE, UH-- FROM
THE ANCIENT CABALA.
1090
01:03:49,458 --> 01:03:52,661
THIRTY-SIX, UH, IN HEBREW--
LAMED VOVNIK.
1091
01:03:52,662 --> 01:03:54,797
I BELIEVE IT MEANS 36.
1092
01:03:54,797 --> 01:03:56,101
AND, ESSENTIALLY,
1093
01:03:56,102 --> 01:03:59,602
IT DISCUSSES HOW THERE ARE 36
HUMAN BEINGS ON THE PLANET...
1094
01:03:59,602 --> 01:04:02,271
AT ALL TIMES-- ONLY 36--
1095
01:04:02,271 --> 01:04:06,008
WHO, UH, UPHOLD AND
CREATE THE EQUILIBRIUM...
1096
01:04:06,542 --> 01:04:08,677
FOR ALL OF OUR SUFFERINGS.
1097
01:04:08,678 --> 01:04:12,948
THEY TAKE THE MALAISE AND
THE MAELSTROM OF PERSECUTIONS...
1098
01:04:12,949 --> 01:04:16,153
AND THE DISASTERS OF THE WORLD
ONTO THEIR OWN SHOULDERS,
1099
01:04:16,154 --> 01:04:17,654
PAST, PRESENT AND FUTURE,
1100
01:04:17,753 --> 01:04:21,490
THROUGHOUT THEIR
FLESH-PHYSICAL-INCARNATED LIVES.
1101
01:04:21,490 --> 01:04:24,159
AND WITHOUT THESE 36 PEOPLE,
1102
01:04:24,160 --> 01:04:26,829
THE INFRASTRUCTURE
OF THE WORLD WOULD FALL APART...
1103
01:04:26,829 --> 01:04:30,566
AND THERE WOULD BE ARMAGEDDON
AND PERHAPS THE FINAL JUDGMENT,
1104
01:04:30,566 --> 01:04:34,303
BUT NOT A PRETTY JUDGMENT,
BY ANY MEANS.
1105
01:04:34,303 --> 01:04:35,904
FINAL BUT NOT PRETTY.
1106
01:04:37,506 --> 01:04:40,709
MOST OF THE VOVNIKS
DO NOT KNOW THAT THEY'RE VOVNIKS.
1107
01:04:41,244 --> 01:04:43,913
THEY SUFFER
IN AN INCOMPREHENSIBLE HELL,
1108
01:04:43,913 --> 01:04:47,116
AND THEY SWIM IN AN ENTIRE
WHIRLPOOL OF HUMILITY...
1109
01:04:47,650 --> 01:04:50,319
WITHOUT THE KNOWLEDGE
OF THEMSELVES OR WHO THEY ARE...
1110
01:04:50,319 --> 01:04:52,454
OR THEIR IMPORTANCE
IN THE WORLD.
1111
01:04:52,455 --> 01:04:55,124
AND THE VOVNIK MORDECAI,
1112
01:04:55,124 --> 01:04:58,861
WHO LEFT THE LARGE FAMILY
OF THE LEVIS...
1113
01:04:59,395 --> 01:05:04,733
TO MOVE TO MIERDZBERGZST
ON THE ROCKY GLACIERS OF SILESIA,
1114
01:05:04,734 --> 01:05:06,869
UH, IN THE 17th CENTURY,
1115
01:05:06,869 --> 01:05:10,606
WHERE THE BAAL SHEM TOV
HAD SET UP CRUISING HEADQUARTERS...
1116
01:05:10,606 --> 01:05:15,410
AND INSTITUTED THE BEGINNINGS OF
THE HASIDIM, HASIDIC RELIGION.
1117
01:05:15,411 --> 01:05:17,546
AND THE BAAL SHEM TOV,
THE ENLIGHTENED RABBI,
1118
01:05:17,546 --> 01:05:22,350
PREACHING THE CARNIVOROUSNESS
AND THE RELIGIOSITY IN JOY...
1119
01:05:22,885 --> 01:05:24,486
AND THE ECSTASY OF PRAYER.
1120
01:05:25,021 --> 01:05:28,224
I MEAN, THE HASIDS ARE NO LONGER
GOING TO SIT WITH PRAYER BOOKS,
1121
01:05:28,224 --> 01:05:30,893
YOU KNOW, SILENTLY PRAYING
IN DARKENED SYNAGOGUES.
1122
01:05:30,893 --> 01:05:33,562
THEY ARE GOING
TO JUMP AROUND THE ROOM.
1123
01:05:33,562 --> 01:05:35,532
THEY ARE GOING TO SCREAM
AND YELL THEIR LOVE FOR GOD.
1124
01:05:35,533 --> 01:05:37,833
THEY'RE GOING TO DO CARTWHEELS.
1125
01:05:37,833 --> 01:05:41,570
AND MORDECAI WENT THERE
TO HELP CLEAN OUT OUTHOUSES.
1126
01:05:41,570 --> 01:05:44,239
BASICALLY, HE WAS A PEASANT
LIVING IN THE TOWN.
1127
01:05:44,240 --> 01:05:49,044
DERELICTS AND BUMS AND GENIUSES
AND ARISTOCRATS AND POETS...
1128
01:05:49,045 --> 01:05:51,714
AND MEN OF EVERY KIND
OF OCCUPATION AND PHYLUM...
1129
01:05:51,714 --> 01:05:55,451
WERE GOING TO MIERDZBERGZST
ON THE ROCKY GLACIERS OF SILESIA...
1130
01:05:55,451 --> 01:05:59,055
JUST TO HAVE THEIR OWN MOMENTS
WITH THE BAAL SHEM TOV,
1131
01:05:59,056 --> 01:06:00,256
THIS ENLIGHTENED RABBI.
1132
01:06:00,256 --> 01:06:02,660
AND MORDECAI REVERENTLY
STOOD IN THE SAME ROOM...
1133
01:06:02,661 --> 01:06:05,061
WITH THE BAAL
SHEM TOV A FEW TIMES...
1134
01:06:05,061 --> 01:06:07,730
AS HE WENT OFF
TO DO HIS DAILY TOIL.
1135
01:06:08,798 --> 01:06:12,001
EVENTUALLY, THEY CALLED HIM
"THE DANCER OF GOD,"
1136
01:06:12,001 --> 01:06:15,738
BECAUSE WHEN THE HASIDS WOULD
FORM FOR THEIR REELS OF DANCE...
1137
01:06:15,738 --> 01:06:18,941
IN HONOR TO THEIR ECSTASY
TO THEIR GOD,
1138
01:06:18,941 --> 01:06:21,645
MORDECAI WOULD JUMP SO HIGH...
1139
01:06:21,646 --> 01:06:23,746
AND WOULD DANCE
WITH SUCH AN EXUBERANCE,
1140
01:06:23,746 --> 01:06:26,583
THE OTHER HASIDICS WERE
EMBARRASSED ABOUT HIM...
1141
01:06:26,584 --> 01:06:27,384
AND FOR HIM,
1142
01:06:27,483 --> 01:06:30,152
AND HE WAS EXILED
FROM THE DANCE.
1143
01:06:30,152 --> 01:06:33,889
AND SO HE APPEASED HIMSELF
BY DANCING ALONE AT NIGHT...
1144
01:06:34,423 --> 01:06:36,558
IN THE SHED RESERVED
FOR THE SICK AND DYING,
1145
01:06:36,559 --> 01:06:39,762
AND HE WOULD ENTERTAIN THEM
IN THE EVENINGS ALONE.
1146
01:06:39,762 --> 01:06:41,100
SUDDENLY,
1147
01:06:41,101 --> 01:06:45,101
THE GAON OF KIEV WHISPERS TO
THE BAAL SHEM TOV ONE DAY...
1148
01:06:45,101 --> 01:06:47,770
THAT THERE IS A VOVNIK,
1149
01:06:47,770 --> 01:06:51,507
UH, A HOLY, UH, MAN.
1150
01:06:51,507 --> 01:06:53,642
THEY HAVE
ANOTHER TERM FOR IT.
1151
01:06:55,244 --> 01:06:58,447
A MAN OF TOTAL EQUILIBRIUM,
A LAMED VOVNIK, IN TOWN.
1152
01:06:58,981 --> 01:07:00,884
AND SO THEY START SEARCHING
FOR WHO THIS MIGHT BE.
1153
01:07:00,885 --> 01:07:02,085
THEY INTERVIEW THE DERELICTS.
1154
01:07:02,184 --> 01:07:04,853
THEY INTERVIEW ALL THE PEASANTS.
THEY INTERVIEW THE HANDYMEN.
1155
01:07:04,854 --> 01:07:08,057
THEY'RE LOOKING FOR THE GUYS WHO
HANG OUT WITH FARM ANIMALS,
1156
01:07:08,057 --> 01:07:09,160
ANYBODY WHO MIGHT
BE MENTALLY RETARDED,
1157
01:07:09,161 --> 01:07:11,161
AS MANY VOVNIKS
ARE MENTALLY RETARDED.
1158
01:07:11,260 --> 01:07:14,463
SUDDENLY, THEY REALIZE THAT THE
GUY WHO CLEANS THE OUTHOUSES...
1159
01:07:14,463 --> 01:07:16,598
DISAPPEARS THE NEXT MORNING.
1160
01:07:16,599 --> 01:07:18,734
SUDDENLY,
RUMORS SPREAD AROUND.
1161
01:07:18,734 --> 01:07:22,471
THEY SAY TO THE BAAL SHEM TOV, "HE
DANCED FOR THE SICK AT NIGHT ALONE.
1162
01:07:23,005 --> 01:07:25,140
HE CLEANED THE OUTHOUSES
CONSCIENTIOUSLY".
1163
01:07:25,141 --> 01:07:29,411
AND THE BAAL SHEM TOV WOOED
THEM AWAY, PUSHED THEM AWAY,
1164
01:07:29,412 --> 01:07:31,547
AND WAS CRYING.
1165
01:07:31,547 --> 01:07:33,682
AND THERE WAS SILENCE.
1166
01:07:33,682 --> 01:07:35,817
AND THE BAAL SHEM TOV
SAID SIMPLY,
1167
01:07:36,352 --> 01:07:40,089
"THAT ONE WAS HEALTHY
AMONGST THE SICK,
1168
01:07:40,089 --> 01:07:42,758
AND I DID NOT SEE HIM".
1169
01:07:52,902 --> 01:07:57,172
- IS THAT OPEN?
- YEAH. THANKS, LARRY.
1170
01:08:03,045 --> 01:08:05,180
- HOW YA BEEN?
- ALL RIGHT. WHAT'S HAPPENIN'?
1171
01:08:05,181 --> 01:08:08,384
- HANGIN' IN THERE.
- I KNOW THAT FEELIN'.
1172
01:08:14,256 --> 01:08:16,925
TODAY'S
MY LAST DAY, MAN. -REALLY?
1173
01:08:16,926 --> 01:08:20,096
YEAH. I GOT THE JOB
WORKING WITH TRANSIT.
1174
01:08:20,097 --> 01:08:21,197
ALL RIGHT. CONGRATULATIONS.
1175
01:08:21,197 --> 01:08:24,934
THANK YOU.
I START THAT TUESDAY. -ALL RIGHT.
1176
01:08:24,934 --> 01:08:27,069
I WAS GONNA
COME IN MONDAY,
1177
01:08:27,069 --> 01:08:30,272
BUT AFTER I HEARD
THE WEATHER REPORT, I SAID NO.
1178
01:08:30,272 --> 01:08:32,941
YEAH. ABSOLUTELY.
YOU'RE RIGHT.
1179
01:08:32,942 --> 01:08:34,079
I'VE PAID MY DUES.
1180
01:08:34,080 --> 01:08:36,680
WELL, YOU'VE COME A LONG WAY.
WE'VE DONE A LOT OF CIRCLES.
1181
01:08:37,213 --> 01:08:38,216
YOU GOT THAT RIGHT.
1182
01:08:38,217 --> 01:08:40,317
I'M GLAD TO KNOW THAT
THERE'S A FINISH LINE TO THIS.
1183
01:08:40,416 --> 01:08:44,686
I FIND THAT--
I FIND THAT INTERESTING.
1184
01:08:44,687 --> 01:08:47,890
THAT'S A GOOD WAY OF LOOKING AT IT,
MAN. -IT'S BEEN SO NICE TO KNOW YOU.
1185
01:08:47,890 --> 01:08:50,559
- IT'S BEEN MY PLEASURE.
- YEAH, IT'S BEEN A DAMN PLEASURE.
1186
01:08:50,559 --> 01:08:52,160
- YEAH, BUT I'LL BE AROUND.
- ALL RIGHT, YEAH.
1187
01:08:52,695 --> 01:08:55,032
PICK UP SOME EXTRA MONEY
FROM TIME TO TIME.
1188
01:08:55,033 --> 01:08:56,333
YEAH, I CAN UNDERSTAND THAT.
1189
01:08:56,432 --> 01:08:59,101
YOU CAN NEVER HAVE
TOO MUCH MONEY. -THAT'S RIGHT.
1190
01:08:59,101 --> 01:09:03,905
WELL, CONGRATULATIONS,
AND KEEP IT ALIVE.
1191
01:09:06,041 --> 01:09:09,244
244 EAST 49th STREET...
1192
01:09:09,245 --> 01:09:10,515
WILL BE A QUIET,
1193
01:09:10,516 --> 01:09:13,516
BROWN ROW HOUSE IN THE MIDDLE
OF THE NEXT BLOCK ON YOUR LEFT,
1194
01:09:13,516 --> 01:09:16,719
STILL CURRENTLY
THE NEW YORK CITY RESIDENCE...
1195
01:09:16,719 --> 01:09:18,854
OF KATHARINE HEPBURN.
1196
01:09:18,854 --> 01:09:22,591
GRETA GARBO AND BETTE DAVIS,
WHEN THEY WERE BOTH LIVING,
1197
01:09:22,591 --> 01:09:26,861
ALSO HAD RESIDENCES
ON THIS NEXT BLOCK.
1198
01:09:27,396 --> 01:09:32,200
WHEN THEY ASKED GRETA GARBO WHY
SHE CHOSE TO LIVE IN NEW YORK CITY,
1199
01:09:32,201 --> 01:09:35,404
SHE SAID THAT NEW YORK
WAS THE ONLY PLACE...
1200
01:09:35,404 --> 01:09:38,073
WHERE SHE COULD BE... ALONE.
1201
01:11:50,539 --> 01:11:54,039
I AM CRUISING CURRENTLY...
1202
01:11:54,040 --> 01:11:56,344
RIGHT NOW.
1203
01:11:56,345 --> 01:12:01,149
I AM CRUISING BECAUSE
I HAVE DEDICATED MYSELF...
1204
01:12:01,150 --> 01:12:05,420
TO ALL THAT IS CREATIVE AND
DESTRUCTIVE IN MY LIFE RIGHT NOW.
1205
01:12:05,421 --> 01:12:09,158
AND I'M EQUALLY IN LOVE
WITH EVERY ASPECT OF MY LIFE...
1206
01:12:09,158 --> 01:12:12,361
AND ALL THE INGREDIENTS
THAT HAVE CAUSED ME TURMOIL...
1207
01:12:12,361 --> 01:12:15,564
AND ALL THE INGREDIENTS
THAT HAVE CAUSED ME GLORY.
1208
01:12:16,098 --> 01:12:20,902
I AM THE LIVING WHISPERED WARNING
IN THE ROMAN GENERAL'S EAR,
1209
01:12:21,437 --> 01:12:23,572
"GLORY IS FLEETING".
1210
01:12:23,572 --> 01:12:27,309
AND IN THAT VERB,
THAT ACTIVE VERB, "FLEETING,"
1211
01:12:27,309 --> 01:12:30,512
THERE I LIVE,
THERE I RESIDE IN THIS MOMENT.
1212
01:12:30,512 --> 01:12:35,316
I'VE DEDICATED MYSELF
TO THE IDIOM, "I DON'T KNOW".
1213
01:12:35,317 --> 01:12:40,121
AND I'M IN LOVE WITH THE FRANTIC
CHAOS OF THIS LIMITLESS UNIVERSE.
1214
01:13:28,170 --> 01:13:31,907
I'VE FACED THIS BEFORE.
1215
01:13:31,907 --> 01:13:37,245
THE SECOND TO LAST TIME
I TRIED IT, IT DIDN'T GO OFF,
1216
01:13:37,246 --> 01:13:40,449
AND I FOUND MYSELF
OVERLOOKING 42nd STREET.
1217
01:13:40,449 --> 01:13:44,719
I WAS, LIKE,
EXACTLY 45 FLOORS UP,
1218
01:13:44,720 --> 01:13:47,389
RIGHT ACROSS THE STREET
FROM THE CHRYSLER BUILDING.
1219
01:13:47,389 --> 01:13:49,524
IT WAS UNBELIEVABLE.
1220
01:13:49,525 --> 01:13:52,194
THE LAST TIME I TRIED IT,
1221
01:13:52,194 --> 01:13:55,931
I STOOD ATOP
THE MARRIOTT MARQUIS HOTEL,
1222
01:13:55,931 --> 01:13:58,600
THINKING THAT I HAD
SO GLORIOUSLY ONCE AGAIN EVADED...
1223
01:13:58,600 --> 01:14:01,803
THE ANTI-CRUISE
FIRE EXIT SIGNALS...
1224
01:14:01,804 --> 01:14:04,074
AND THEN WAS
SUDDENLY SURROUNDED...
1225
01:14:04,075 --> 01:14:05,975
BY TWO FIRE DEPARTMENTS PEOPLE,
1226
01:14:06,074 --> 01:14:08,743
HEAD OF SECURITY.
1227
01:14:09,278 --> 01:14:12,481
LECTURE, REPRIMAND.
1228
01:14:12,481 --> 01:14:15,684
I BARELY GOT OUT
OF THERE ALIVE.
1229
01:14:17,286 --> 01:14:19,955
I'VE NEVER SEEN
A KEY BEFORE, THOUGH.
1230
01:14:20,489 --> 01:14:23,158
SEEMS TO ME
IT'S THE POTENTIAL OF TURNING IT OFF,
1231
01:14:23,158 --> 01:14:26,361
BUT I DON'T KNOW
WHAT IS ON AND WHAT IS OFF.
1232
01:14:54,122 --> 01:14:57,859
CLOSED-CAPTIONED BY
CAPTIONS, INC. LOS ANGELES
1233
01:16:16,560 --> 01:16:19,560